A Sense of Place: Solan Goose by Erland Cooper [Phases]

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Erland Cooper is an award-winning multi-instrumentalist and producer whose previous projects include The Magnetic North and Erland and the Carnival as well as scoring and producing music for TV & film. Cooper was born and raised far from the urban landscape surrounding his London studio in Orkney, situated just beyond the northern tip of the Scottish mainland. It is a breathtaking locale steeped in folklore, myth, and nautical culture and it is the place to which he returns for his debut solo project called Solan Goose. The album prominently features the area’s avian fauna and the local Orcadian dialect which reflects the intertwining of its Scots and Norse lingual heritage.

“Having grown up on the Scottish archipelago of Orkney, he wrote this work as a response to ease anxiety and claustrophobia working in a city. It explores the borders between electronic, alternative and classical music while creating for him and the listener a work of balance and calm – a kind of liminal space. Each song is entitled with a bird name but in local ‘Orcadian’ dialect. It’s a record to travel to, and evokes themes of migration, restoration and childhood memory.”

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From the Mouth of the Sun – Sleep Stations [Lost Tribe Sound]

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With their third consecutive release on Lost Tribe Sound, it seems that the duo of Aaron Martin & Dag Rosenqvist as From the Mouth of the Sun have found an ideal home for their music on the Phoenix-based label which eloquently describes itself as specializing in “organic, gentle, and exploratory music that transcends genre, technique, or trend”. That is not just a well articulated statement of its vision; it is a spot-on characterization of the exquisite, ephemeral experience offered by Sleep Stations which will see release as part of the label’s Dead West cassette series.

In the liner notes we learn that the somnolent title track was originally meant to be included on the sumptuous full-length Hymn Binding (2017) and subsequently acted as both centerpiece and starting point for the music that Martin & Rosenqvist recorded in the process of scoring Joshua Z. Weinstein’s ‘Menashe’. The film ultimately demanded a more sparse & rustic style and this freed the duo to plant the composition in a new context, this time building their own distinct narrative around it.

The core sound will be instantly recognizable for those who’ve followed their previous endeavors, comprised of cello, piano, acoustic guitars, lap steel, banjo, ukulele, pump organ, soft humming electronics and warm layer of static… Arranging Sleep Stations as an EP, has allowed Aaron and Dag to tell a shorter story, one that doesn’t have to be such a grand gesture, which is something they’ve wanted to explore for a while now. It’s a beautiful reminder, that a collection of music can still be simple yet deeply affecting, without being overwrought and excessive.  – Lost Tribe Sound

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Various Artists – Thesis Collected 01

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Gregory Euclide is an artist and teacher living in the Minnesota River Valley. A recipient of numerous grants and fellowships, his work has been featured in museum exhibitions both across the country and abroad and has been featured in a variety of prestigious publications. His work has also been frequently connected to music. He provided the memorable cover for Bon Iver‘s self-titled 2012 Grammy winning record as well as album covers for a number of artists featured on these pages including Will Samson, Seabuckthorn, and Loscil – which brings us to the topic at hand, the THESIS project founded by Euclide in 2016 with assistance from Gabor Kerekes. More specifically, the occasion is the first CD release from this remarkable project, Thesis Collected 01, which allows entry into its vault of musical wonders for those for whom the vinyl format is still a constraint.

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Video Premiere: Prinsengracht by Klangikret & Sjors Mans

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As 2017 drawing to a close, Stationary Travels premiered a track from The Amsterdam Sessions, an EP which resulted between Stockholm-based by Fabian Rosenberg (aka Klangriket) and Sjors Mans in his Amsterdam studio where they came up with five impeccably beautiful pieces named after locations in the city that intertwine ambient textures and atmospheric electronics with delicate piano-based compositions. It’s a pleasure to call attention to this project once more, this time on the occasion of the premiere of a mesmerizing video for “Prinsengracht” created by Frida Holmgren who also contributed violoncello on some of the tracks.  In it she brings to life the pulsing patterns and blooming surges in what is the most kinetic piece on the album.

When Fabian first played the song for me, we were sitting in a studio at school. I saw the reflection of strip lights on a black computer screen and really liked the pattern it made. That is what initially inspired me. And I wanted to make a hypnotic video, since that’s how the song was for me when I listened to it. – Frida Holmgren

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Sound Impression: The Doctor From India by Rachel Grimes [Temporary Residence]

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New music from Rachel Grimes is always cause to sit up and take notice. The in-demand  pianist, composer, arranger, and collaborator extraordinaire  has been involved in numerous projects of late, but we’ve not been treated to a full-length album of her own compositions since 2015’s The Clearing, that is until now with the release of her splendid soundtrack to The Doctor From India by filmmaker Jeremy Frindel,a portrait of the life and work of Dr. Vasant Lad who first brought the ancient medical practice of Ayurveda from India to the west in the late 1970s. I confess to not having seen the film nor being familiar with Dr. Lad and his story, but having spent some time with the album, I can attest to the uplifting power and quietly dazzling beauty of the music it has inspired Grimes to compose and perform along with Scott Moore on violin, Jacob Duncan on saxophone & flute.  Continue reading

Sound Impression: Millpond Way by M. Grig [Other Songs]

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Originally from the Pacific Northwest and now living Durham, North Carolina, Mike Grigoni is a composer & multi-instrumentalist who plays dobro, lap steel and pedal steel guitar and records under the name M. Grig. While he has settled personally in the Tar heel state, Grigoni’s music has found a home on Canadian label Other Songs where he has released a trio of delightful EPs – Field Notes (2016), Still Lifes (2017), and the brand new Millpond Way.

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Stilhedens Strømmen I Fuglenes Blod by øjeRum [KrysaliSound]

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Danish collage artist & musician Paw Grabowski aka øjeRum made his first appearance on KrysaliSound with one of the standout EPs of last year, a reissue of his alternate soundtrack to Chris Marker’s 1962 time travel film La Jetée entitled He remembers there were gardens. He returns with an encore reissue of another øjeRum long form piece, albeit a more pastoral one. Stilhedens Strømmen I Fuglenes Blod is a 30-minute suite of haunting acoustic guitar motifs, gossamer textures, and percussive chimes as delicate as the hollow bones of a tiny bird.

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Sound Impression: The Searchers / Voyevoda – Kyle Bobby Dunn & Wayne Robert Thomas [Whited Sepulchre]

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From the heartland of America comes a fascinating split release by Kyle Bobby Dunn and Wayne Robert Thomas that will engage your mind as much as it will your ears. Each artist contributes a single long-form track to be released together in a limited vinyl edition by Ohio-based Whited Sepulchre based in Cincinnati, Ohio. By now the savvy reader might be bemoaning my ignorance saying to themselves Dunn is Canadian. True enough, but he his explores a distinctly American theme on his composition which both complements and segues the wistful ruminations offered by his Indianapolis-based collaborator.

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Video Premiere: “Alight” by Zura Zaj

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Over the past few years, we’ve enjoyed some dazzling albums from Belgian guitarist Gowaart Van Den Bossche under the moniker of Yadayn, but that is not his only musical project nor is it even his oldest. That turns out to be Zura Zaj, a collaboration with horn-player Jonathan Baltussen and violinist Lieze Van Herzeele that has been on a decade long journey to its debut release entitled Small Obstacles. 

“Zura Zaj’s journey started ten years ago when three young musicians met in a university orchestra and started tuning their instruments to each other’s tastes and creativity. A Hungarian roommate called it “strange sounds”, or “zura zaj” in the dialect of his home region, and so our name was born…Small Obstacles is the outcome of a decade of searching and finding, of overcoming and bonding.” – Zura Zaj

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Travelogue 2018.04.15: From Winter into Spring with Dauw

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Dauw is a Belgian boutique label based in Ghent that specializes in handmade cassette releases of electroacoustic ambient music of an especially organic & pastoral nature and features a unifying visual aesthetic based on the graphic artwork of Femke Strijbol. The label offers sounds and colors eminently suited to the gentle awakenings of springtime and it is our good fortune that they have put up some irresistible new releases for the season.

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Sound Impression: From Water by Paddy Mulcahy [Phases Records]

A little over a year after his patient fusion of close mic’ed solo piano with delicate synthesizer constructions on The Words She Said (reviewed here), Irish-born, Montreal-based composer/producer Paddy Mulcahy returns with an enigmatic foray into finespun electronica & percussion in the form a striking five-track EP entitled From Water.  It begins with the shimmering  “You Could Walk Across the Shannon” which treads a fine line between hope & melancholy in keeping with what Mulcahy sought to put across in the song.

“‘You Could Walk Across The Shannon’ is about overcoming the impossible. It’s a musical representation of being an underdog in a vicious race; it’s the rare ability to walk across a riverbed at low-tide. I want to inspire people who are suffering, people who are sad and feel like there’s no point. This music was inspired by nature, people and overcoming my depression.” – Paddy Mulcahy in DJ Mag, 03/09/2018 Continue reading

Sound Impression: Circuit Bloom by 36

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It is hard to conceive of a more fitting title for latest offering from 36 (pronounced three-six), the ambient / experimental project of Dennis Huddleston from the United Kingdom. Circuit Bloom is like a garden of electronic flowers that bud and blossom in a slow, kaleidoscopic efflorescence of fleeting ephemeral beauty.  In a shift from recent 36 releases that resonated on a cosmic scale, Huddleston chose a more introspective theme for a group of songs which serves as a prelude a full-length album to come later this year.

“[Circuit Bloom] contains a selection of 6 predominantly piano-based tape loops, exploring the themes of isolation and escapism, through a Cyberpunk-inspired lens. For me, Cyberpunk is about people living on the fringes of society, finding ways to deal with the hardships they face, through the manipulation and exploitation of technology. It’s a genre/aesthetic I’ve always loved and its influence has always seeped into my music.” – Dennis Huddleston, aka 36

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