Speaking of his solo project Lyrae, Swedish musician Ola Sandberg said ”I’m trying to make music that I, myself, can get lost in…I want to make audible rooms rather than songs and let the listener be more of a visitor with the choice to move around freely.” I would argue that concept is common ground to each of the beautifully crafted and deeply introspective albums comprising this sonic journey which also includes works by Glacis, anthéne, and r beny.
“Just trying to slow the world down” is Sebastian Buccheri‘s pithy summation of his Jazzdefector music project. And slow the world down he does with the reverb-saturated aural webs he creates as a backdrop to his intimate jazz-inflected compositions and improvisations a dozen of which comprise his newest album Solo recently released on Whitelabrecs.
Letting Go Variations is a more than fitting title for this collection of four plaintive, delicately ornamented constructions by Kirill Nikolai recorded by the artist in Seattle, Washington during the Summer of 2015. Ambient swells tugged by an undertow of wistful strings lap against the shores of memory in an ebb & flow full of unfulfilled longing.
The resulting music is a dying rose, a love letter written in notes to someone who never received or returned that love. ‘Letting Go Variations’ is a haunted recording; not of a spirit, but of a tired soul. – Fluid Audio
Mt. Judge is a project from London-based musician Tom White. Arguably a bit underexposed and underappreciated in the ambient community, his releases consistently offer an evocative coalescence of interesting field recordings and warm, expansive drones along with an adherence to minimalist simplicity as conveyed by the monochromatic album covers.
Chicago-based modern classical composer & pianist Lena Natalia follows up her recent Parisian diptych – Rendezvous in Paris (2106) and Sundays in Paris (2015) – with a fresh album of solo piano compositions entitled Second Youth, a collection of twelve enchanting pieces that feature her fluid and expressive playing and run the gamut from melancholic nostalgia to ebullient romanticism while always embracing an elegantly minimalist aesthetic and a cinematic eye.
I have to confess that when I first saw a release entitled The Exquisite Corpse from Bigo & Twigetti, I almost looked past it anticipating something of a morbid aesthetic. What a mistake that would have been. In fact, it is a reference to a game of chance and collaboration rooted in the Surrealist movement, a variant of which is also known as Consequences. The original idea was to construct a sentence, poem, story, or picture with a predetermined structure by having each participant add just one portion while only being able to see only the most recent contribution – the whole is not revealed until the very end. Inspired by this, the London-based experimental modern classical label has applied the concept musically choosing Moderna Records as their creative partners.
“Taking Leah Kardos ‘Little Phase’ from our Summer compilation as it’s starting point, the piece will be reworked by a series of composers and producers to create an album of tracks which continually evolve as each new version is passed from one artist to another, adding to and transforming material from the original piece.” – Bigo & Twigetti
Vhoir by Tim Linghaus is proof positive that it doesn’t take a lot of noise or flash to make a strong first impression. The debut EP by the German musician & composer consists of six modern classical sketches and vignettes of such exquisite construction and intimate warmth that one can hardly resist their consummate charms.