There is a fascinating paradox in Aaron Martin‘s music I’ve come to appreciate. On one hand, there are the rustic tones and earthy folk melodies that ring with the homespun authenticity of a sprout from pure Americana rootstock. On the other, it is possessed of an exotic and transcendent quality that is malleable to a disparate range of contexts. Ample evidence of this would be Martin’s collaborations with experimental musicians from around the globe such as Machinefabriek (Netherlands), Orla Wren (England), Christoph Berg (Germany), or his From the Mouth of the Sun partner Dag Rosenqvist (Sweden). More recently we’ve seen it in his original soundtrack work such as Menashe set in an orthodox Jewish community in New York City and the newly released Adam, a short film directed by William Armstrong that tells the story of Adam Voigt, a vital young South African surfer faced with a life-altering diagnosis.