Through a Musical Lens: Sunday Soundtracks

If you are reading this blog, chances are you’re an avid music lover and the kind of person who is just as likely to discover a film or television show after hearing the soundtrack as the other way around. Or, perhaps, you even enjoy certain soundtracks as complete listening experiences on their own without ever…

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Through a Musical Lens: ZWARTGROEN by All Shall Be Well

With their 2011 debut,  the five-piece collective All Shall Be Well brought a splash of color to the sometimes bleak landscape of post rock with their unique combination of chromatic themes and musical storytelling. From the beginning, they have systematically followed a pattern of naming each album after pairs of colors and then linking them…

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Through a Musical Lens: Test Subjects (OST) by Aaron Martin

Alex Lockwood‘s ‘Test Subjects‘ is a short documentary that tells the story of Frances, Emily & Amy – three aspiring research scientists coming to terms with the ethical dilemmas and wrenching emotional burdens associated with conducting animal testing in the ostensible interests of bettering human health. The music for the film was scored by American…

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Through a Musical Lens: Caoimhín Ó Raghallaigh and Thomas Bartlett

Watching a city awaken on autumn morning through rivulets of rain running down a coffee shop window seems only fitting while while listening to the new album created by Caoimhín Ó Raghallaigh with his 10-string hardanger d’amore and pianist/producer Thomas Bartlett aka Doveman while musing on the implications of their selection of ‘Snow’ (1960) by…

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Through a Musical Lens: Healing by Anna Salzmann & Garreth Broke

The  partnership of visual artist Anna Salzmann and composer/musician Garreth Brooke (aka Garreth Broke) has always been a special one both personally and creatively. Their latest work together is entitled Healing and combines 11 abstract artworks by Anna with 25 minutes of piano music by Garreth which seeks to explore this complex and sometimes contradictory…

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Through a Musical Lens: Deceptive Cadence: Music For Film Volume I & II by William Ryan Fritch

Since 2009, William Ryan Fritch has composed music for over 30 feature films and more than a hundred short films as well as releasing over 20 solo records. How does one attempt to showcase such a body of work in a single album and make it cohesive and compelling? Consider Deceptive Cadence: Music For Film Volume…

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Through a musical lens: Reservoir 13 (Music for the Novel by Jon McGregor) by Richard J. Birkin

Richard J. Birkin divides his time between making music as a recording artist, composing for TV & film, and being the lead creative technologist for Time Travel Opps where his artistic and technical acumen come together to produce digital projects for the arts as well as consultation in the commercial sector. The common thread in all these…

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Through a musical lens: Metropolitan by Madeleine Cocolas [bigo & twigetti]

Madeleine Cocolas is no stranger to incorporating music with other art forms. She has composed numerous works music for film, dance, and art exhibitions from painting to textiles. It should be no surprise, then, the fondness she developed for The Metropolitan Museum of Art after recently relocating to New York and on her newest album she finds a…

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Through a Musical Lens: Touch Dissolves by Aaron Martin [IIKKI]

Even with a thesaurus ever just a mouse-click away, one begins to run out of superlatives to describe the music of Aaron Martin. Perhaps it is the unpretentious, organic beauty. Perhaps it is sublime balance between the earthly and the empyrean. Perhaps it is simply that truth resonates in each handmade note, of which not…

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