Sound Impression: Go Mirage by To Destroy a City [n5MD]

On their first two albums Chicago-based trio To Destroy a City introduced us to a sophisticated and exhilarating sound forged from layers of guitars, synths & pianos and driven by electronic beat production intertwined with live percussion. In two weeks when they roll out their third record entitled Go Mirage, fans and new listeners alike will be treated to not only their most stunning sonic tapestries yet, but an inspired new vocal dimension which does no harm whatsoever to their post rock pedigree.

“This follow-up to 2014’s post-rock paragon SUNLESS has an added immediacy due to the soaring nature of guitarist Michael Marshall’s step toward the mic…Idealists might bark that To Destroy A City can’t continue to fly the post-rock flag with such a vocalic album. The enlightened will find that the addition of vocals places the band as contemporaries to artists such as Caspian, Mogwai, and Album Leaf which have effectively used vocals as key components in their music.” – n5MD

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Sound Impression: Two Shadows Collide by Secret Pyramid [Ba Da Bing Records]

There are few artists who are able to convey the full drama and scope of the existential ache through their music as Amir Abbey aka Secret Pyramid. Drawing inspiration from the vast Pacific Northwest where he is based, he builds plaintive minor key melodies into monumental edifices of sound that somehow never lose their intimacy or emotional compass and he as the height of his powers on his latest album entitled Two Shadows Collide. This music is full of compelling paradoxes. It is crepuscular and illuminated; tentative and transcendent; lush and barren, majestic and devastating. But it is these very conflicts that are at the heart of the album’s themes.

Carefully built and fluidly performed, the record expands Abbey’s relationship with modern composition and abstract songcraft. Each song’s main inspiration comes from the notion behind the album title, the intersection and attraction of forces and worlds, clashing of sounds, and the dualities within our lives. That such a meditative release is built upon conflict is ironic, but therein lies the perfect way to listen. – Ba Da Bing Records

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Sound Impression: Paces by Jakob Lindhagen

Jakob_Lindhagen_Paces

After providing the music to films such as the 2017 Cannes-nominee ”Push it” and the Guldbagge-awarded/ Prix Europa-nominated ”Skörheten” (Fragility), Stockholm-based composer and multi-instrumentalist Jakob Lindhagen has just released a new full-length solo album called Paces. It features nine pieces led by piano & string trio and colored with unexpected instrumentation such as musical saw and zither as well as other sounds resulting from both deliberate experimentation and happenstance.

”I was recording with equipment that wasn’t always functioning properly. For example, one microphone occasionally started to pick up radio frequencies. At times it was really faint and turned out to be a detail just adding to the overall impression, so I decided to keep it. Other times it was really “in your face”, instead inspiring me to incorporate it into the composition” – Jakob Lindhagen

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Sound Impression: This Body Is Not Me by Slow Heart Music [Whitelabrecs]

The first thing that strikes you on This Body Is Not Me by Slow Heart Music (aka Ben Rath) are the mellifluous tones that resonate with a sun-soaked, pastoral warmth from the wooden body of an impeccably tuned guitar. The tunes are brand new yet instantly take on the aura of the timeless and familiar. This subtle sorcery becomes even more impressive when you learn that Rath improvised these pieces, many in a single take, using a second-hand instrument picked up on the cheap.

“Slow Heart Music was conceived as a way to create music in a more spontaneous and live way, with minimal electronic interference and using a basic, lo-fi set-up. The tracks on ‘This Body Is Not Me’ were recorded on a small classical guitar Ben purchased for £5 from a bring-and-buy sale in the basement of a cafe. Ben would improvise on this guitar in a relatively free and unstructured way until a theme or melody organically developed. He’d then press record on a digital audio recorder and create a spontaneous composition out of that theme.” – Whitelabrecs

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Sound Impression: Soft Ice by poemme [Polar Seas Recordings]

Soft Ice is a gorgeous, billowing immersion in youthful memories of winters past by ambient artist Angela Klimek under her musical nom de plume, poemme. The album which she released herself earlier this year is now available in a nicely packaged CD edition on Polar Seas Recordings where these beautiful monochromatic dreams in drone form find a fitting home.

“This collection of songs was composed specifically for sleep and reflects my memories of winters growing up in Cleveland. The endless gray skies, the magic of a fresh blanket of snow, and more wonder still once Lake Erie transforms into a vast, frozen desert. The scene takes place at my favorite lakeside park, with a pale sky above and waves of solid ice below. All is silent but for a flock of geese in the distance, making its way to warmer land…” – Angela Klimek

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Sound Impression: Landscapes by Jacob Montague

What exactly is “cinematic folk”? A good way to answer that question would be to have a listen to Landscapes, the latest solo release by Oakland-based composer, producer, & multi-instrumentalist Jacob Montague. The album, which flows more like a suite than a collection of songs, oozes pastoral charm with scene-setting atmospheres and a strong narrative flow propelled by a keen sense of rhythm given a wide-screen context by clever integration of lush electronics, strings, and bold percussive elements.

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Sound Impression: Five Years by Square Peg Round Hole

When I first heard instrumental trio Square Peg Round Hole was making an ambient record, I was expecting a conventional approach – rework the same melodic constructs of their prior albums while losing the drums, lowering the volume, and slowing the pace. That would have been a pleasant enough affair to be sure, but for a band that prides itself on sheer inventiveness, I should have known to expect more. Five Years traverses quite a bit of previously unexplored sonic territory for the band as they show a penchant for developing beguiling, color saturated soundscapes, densely layered and studded with subtle glitch elements and a plethora of vocal & abstract percussive textures.

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Sound Impression: A Persistent Lack of Ambition by Duister [El Muelle]

Guitar loops drawn in long, slow arcs across a crepe-thin  curtain of sound and a backdrop of pastoral field recordings. Never claustrophobic, there is ample room to move & breathe among these temperate and mellifluous drones and ample time to ponder as they slow time to a lethargic ebb. The comfort of light in a dark room. This is A Persistent Lack of Ambition by Duister, aka Carlos Maquieira released earlier this year on El Muelle Records, a label based in Málaga, Spain. Was the poetic stanza cited in the liner notes cite inspiration for the music or is it a guidepost for listening? Perhaps both. In any case, this is a lovely opus that is easy on the ear and stimulating to the mind.

My story begins very simply: I could speak and I was happy.
Or: I could speak, thus I was happy.
Or: I was happy, thus speaking.
I was like a bright light passing through a dark room.
(Louise Glück, Faithful and Virtuous Night)

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Sound impression: Before We Dive by Altars Altars [auasca]

The sensation of floating weightless and carefree in lilting currents beneath an azure sky and a blazing sun casting webs of light on the sea floor below. Hours to drift, to explore, to gaze at the expanse of endless horizons or muse on what lurks in dark places or teems among the cloudy depths. There is no time nor age here in the midst of this collage of youthful memories fashioned from warm aqueous drones and marine sounds.

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Sound Impression: Constellate by Steve Pacheco [Dauw]

The reassuring steady hum of soft drones, temperate in mood, weightless as if held aloft on gentle air currents; permeable to texture and filigree; slowly turning to catch shimmering glints of light; calm; harmonious. A salve for the ears and a balm for the soul. These are the things that come to mind listening to Constellate by artist & musician Steve Pacheco which he recorded in Santa Fe and Los Angeles. Understated and beautifully crafted, it is an excellent an inspiration to moments of reflection and an excellent companion to working in solitude.

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Sound Impression: Roaming in Teesdale by Black Hill & Cousin Silas

Reprising their partnership on 2015’s Bridges of the South, Black Hill (Csarnogurszky István, aka musicformessier) and Cousin Silas take us on another binate ambient guitar journey through bucolic and atmospheric soundscapes this time inspired by England’s picturesque Teesdale region.

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Sound Impression: An Unintended Space by Stijn Hüwels & Danny Clay

Part of the Spring 2017 series and the most recent addition to the Eilean Rec. catalog is a first-time collaboration between Belgian musician & Slaapwel Records curator Stijn Hüwels and American composer & sound artist Danny Clay.  It turns out to be an inspired pairing in a wonderfully understated kind of way as Hüwels somnambulent guitar-loop minimalism finds a perfect complement in Clay’s delicate electroacoustic ephemera fashioned from turntables, sine waves, and celesta.

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