Travelogue: The Last Leaves of Autumn

The days are growing shorter and the last leaves of autumn are fading embers that will soon disappear. The transition of fall into winter seems especially dispiriting in a pandemic year, but there is still comfort and consolation in the anodyne effects of music. The six albums that comprise this journey come from artistic voices…

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Sound Impression: Invisible by Various Artists (Preserved Sound)

However long it takes to put this seemingly interminable pandemic in the rear view mirror, one day down the road we will get the chance to look back fondly on the bright spots of kindness, creativity, and friendship that illuminated the darker times. But that does not mean we can’t savor them now where we…

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Sound Impression: the old capital by Claire Deak & Tony Dupé.

Melbourne musicians Claire Deak & Tony Dupé describe themselves as ” home orchestra well-suited for late night rambling” or, alternatively, “two composers create an intimate domestic symphony in the hours their son sleeps”. Either description turns out to be more than apt for the music they have created for the debut album on Lost Tribe…

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Duologue: A conversation with Tess Said So

One piano player. One percussionist… As classically trained musicians, Rasa Daukus (piano/keyboards) and Will Larsen (percussion/drums/electronics) began working together as music undergraduates playing a repertoire based on 20th century piano and percussion. Tess Said So combine piano, percussion and electronics with non-classical sounds and techniques, infusing their sound with pop, jazz, ambience and minimalism. With I Did…

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ALBUM STREAM: ‘La Fonte’ by Brendon John Warner

For eight years, Brendon John Warner wrote, recorded & toured Australia with the progressive post-rock group We Lost the Sea before heading down a different musical path to pursue his growing interest in synthesis and lo-fi electronics. Beginning to pull at what he calls “a long lingering creative thread”, he dedicated himself to a “radical, contemporary musical…

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Premiere: “Pont” by Zoltan Fecso [Hush Hush Records]

Now based in Originally from Melbourne, Australia, Zoltan Fecso‘s musical evolution began as he grew up in Budapest, studying classical piano from an early age and then discovering a fascination for electroacoustic music while at university. Seeking to fulfill a unique vision of performing live with acoustic guitar and electronics, Zoltan had an opportunity to…

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Sound Impression: Quiet Ecology by Panoptique Electrical [Sound in Silence]

Jason Sweeney is known for a wide variety of projects and many musical aliases over the past two decades. Perhaps the most personal and intimate is the classically oriented Panoptique Electrical which saw a new release this month, the first since last year’s Disappearing Music for Face. A great deal of what you need to…

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Travelogue 2017.08.20: Topographies of the Soul

Ambient music, when masterfully constructed and emotionally invested, has the power to cross inner oceans, map out the topographies of the soul, and expose the deep strata of memory. This introspective listening journey consists of a quartet of releases that do just that. Featuring the intricately woven and emotive soundscapes of Tapes and Topographies (Todd…

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Sound Impression: Yonder by Sophie Hutchings [1631 Recordings/Hobbledehoy]

The release of a new album by Sophie Hutchings to coincide with Piano Day 2017 has been one of the year’s most pleasant surprises. Having beguiled us with the dreamy abstractions of Wide Asleep (Preservation) which only came out last summer, Yonder finds Sophie in a more ebullient mood as radiant melodies ripple and flow from her piano with pure élan.

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