“Sallaw” is a Kurdish word that expresses the passing of time and this album by the same name finds three distinctive instrumental artists collaborating seamlessly to explore this theme across four compositional soundscapes, each one named after a month representative of the changing seasons – Xakelêw (spring), Pûşper (summer), Gelarêzan (fall), Rêbendan (winter). The group, made up of Porya Hatami (Sanandaj, Iran), Aaron Martin (Topeka, Kansas), and Robert Attanasio (Rome, Italy), is a seemingly unlikely trio, yet upon hearing the music it is hard to conceive of this coming together as anything less than meant to be.
Continue reading “Sound Impression: Sallaw by Porya Hatami, Aaron Martin, & Roberto Attanasio [Dronarivm]”
This audio journey features a globe-spanning quartet of immersive long-form single releases by Saariselka (Chuck Johnson & Marielle Jakobsons), Hakobune, Arash Akbari, and Dave Watkins.
Continue reading “Travelogue 2018.09.07: A late summer long-form journey”
It was difficult not to become giddy at the prospects when this collaboration between Siavash Amini and Zenjungle (Phil Gardelis) was first announced by Flaming Pines. These are two of the most potent and expressive voices in experimental ambient and drone music on the scene today and the idea of them joining creative forces was tantalizing to say the least. While it would not be wrong to say the end result exceeded my expectations, it is probably more accurate to say it obliterated them with the stunning and imaginative work of fearsome beauty that is Topology of Figments. The abstract concept behind the record is the vivid exploration of the characters, places, and memories we invent and which become part of our personal and shared identities. Siavash and Phil explain it this way:
“Sometimes we cannot separate the imagined colors, textures, spaces, or even smells from what actually existed or exists.It’ s in such activities that we create spaces never imagined before; hallways, valleys, rooms, textures on a wall, a howling distant sound in a giant metropolis. These spaces can be thought of as explored but not owned by any person. No one has ever made claim to them. In these tracks we have tried to imagine some of such places, live in them for a while, walk their paths without ever stopping for too long. This album reflects how we understand many of these imaginary lands, leaving them behind as they were (are).”
Continue reading “Siavash Amini & Zenjungle – Topology of Figments [Flaming Pines]”
A listening journey with four albums composed of intricate electroacoustic textures, field recordings, and emotional undercurrents. Immersed in these mild sonic abrasions and vivid soundscapes, the mind can exfoliate… Continue reading “Travelogue 2016.05.09: Mental Exfoliation”
A quiet space and a good pair of headphones are recommended for this group of albums that share an intent to capture signals, noise, and resonances and sculpt them into fascinating sonic narratives. Featuring Sustainer, José Soberanes, Kate Carr, Arovane, & Porya Hatami.
Continue reading “Travelogue 2015-49: Signals and Resonances”
Siavash Amini returns to the Futuresequence label with Subsiding, his sixth full length album and the third in a triptych of recent densely layered works, a stunning opus that incorporates some of the most distinctive elements of each of its predecessors while incrementally refining and evolving his sound. We have reached the point where we can no longer be surprised by the scope, depth, or power of Amini’s sonic creations. We can only savor the joy of hearing each new oeuvre for the first time.
Among the five exquisite tracks that comprise Subsiding, we hear the oceanic stillness and frozen melancholy of Till Human Voices Wake Us (Umor Rex) and the tempestuous, modern classical infused drones of What Wind Whispered to the Trees (Futuresequnce) and even a bit of the frosty and shimmering guitar lines of Chamomile Vol.01 (Oído).
“His most full and detailed sound to date illustrates Amini’s ability to bring together modern classical composition with that of controlled noise, granular synthesis, and atmospheric soundscape. Both monolithic and micro sound sculptures coexist within a perfect balance, a mix which makes for an all encompassing listen across the audio spectrum, funereal yet uplifting”. – Futuresequence
Continue reading “Siavash Amini – Subsiding [Futuresequence]”
Flaming Pines label founder Kate Carr has developed a highly regarded and multi-faceted creative practice “centered on articulating the relationship between people and place through sound”. In addition to her own sound work, she has curated a variety of wonderful conceptual series, the latest of which has seemingly unlimited potential despite its ostensibly diminutive name – Tiny Portraits.
In Listening to Noise and Silence, Salomé Voeglin talks of soundscape compositions occupying a site ‘between preservation and invention’ – an attempt by the composer or field recordist to retain the essence of a site inevitably results via the processes of recording, composition and listening in the creation of somewhere new. Tiny Portraits asks each participant to dwell on these connections and disconnections between sound and place, representation and invention by starting somewhere small, somewhere overlooked or obscure, and to interrogate this site using sound. – Kate Carr
Continue reading “A Sense of Place: Tiny Portraits on Flaming Pines”
For some time now, we have been singing the praises of a collective of artists from Iran who have consistently been putting out some stunning ambient & electronic recordings. Several of them, namely Siavash Amini, Hesam Ohadi (Idlefon), and Arash Akbari, have gotten together to launch a new label they call Bitrot. The inaugural release is not only a superb record in its own right, but it also sets a benchmark for the label’s aesthetic and launches the “Rekonstrukt” series which takes a cereberal approach to the way artists rework each other’s music.
“In order to reconstruct a piece you first have to take it apart and engage it in a way that with its destruction you bring a new creation to life, in which something from the original still lives…By channeling a piece of music through different imaginations you will find out that it has many hubs and nodes that were hidden in the original. In this series we try to explore this idea by letting artists find these hubs and nodes that make up a work and have them rearranged. Then you can see the work in the light of other creative minds, generating a vast network of musical landscapes connected by an invisible line that is the original music’s destruction.”
Continue reading “[Rekonstrukt-I] Tegh – Night Scenes [Bitrot]”
Tehran based sound artist and computer musician Hesam Ohadi has released a new EP called Submarine under the moniker of Idlefon on Tympanik Audio, following up his outstanding 2014 release on the same label.
With five engaging new songs, Idlefon gently embraces the listener with a striking array of ambient sounds, locking in impressive rhythmic structures that flow through underlying static and echoing melodies. A soulful and reflective journey, ‘Submarine’ melts and pulses within itself, in turn resulting in a deeply resonating listening experience. – Tympanik Audio
Continue reading “Sound Impression: Idlefon – Submarine [Tympanik]”