Archives is a label based in Valencia, Spain run by DJ, producer, & musician Agustín Mena (aka Warmth, SVLBRD). You won’t find a lot of words written by the label about itself. Its impressum can be found in the music which focuses uncompromisingly on pure ambient, downtempo & dub techno aesthetics with a preference for soothing, warm tones and meditative atmospheres. Presented here are six recent releases by an international roster of artists including Logic Moon (Germany), Robert Farrugia (Malta), Yoyu (Canada), Purl (Sweden), Shuta Yasukochi (Japan), and Halftribe (UK). Also highly recommended are their Ambient and Soundscapes compilation series and Warmth’s own ‘Essay’ which was one of the best reviewed ambient albums of 2016.
The inspiration for Chihei Hatakeyama’s Mirage came during a trip to Turkey taken by the artist about five years ago. The diverse & exotic architectures, streets, bazaars, and waterways were no doubt a feast for the eyes, but it was what Hatakeyama heard with his keen musical ear that spurred the creation of the new album. Framed as “a meditation on the phenomenology of music and architecture” it explores the way sound is shaped and influenced as it traverses and mingles with the surrounding structures.
“Walking through the labyrinthian bazaars of Turkey, Hatakeyama took inspiration from the way sounds emerged and decayed within those spaces. Looking to replicate these experiences in the creation of the album, he developed a series of new processes and transformations that expanded his approach to textural music.”
Toronto based Polar Seas Recordings was founded a little over five years ago and for most of that time has primarily served as a home for the releases of Brad Deschamps & Mike Abercrombie as North Atlantic Drift as well as their respective side projects anthéne and Transits of Mercury. In the past year however, the label has released no less than eleven albums, matching the output of the first four years put together while expanding their roster of artists and encompassing a broader sonic palette. Here is a roundup of some the most recent and recommended.
Shimmering Moods is a label based in Amsterdam that has already had a fruitful 2017 with a number of excellent limited edition CD releases and quite an international roster of artists. Featured here are recent works by Andrew Tasselmyer (USA), Snufmumriko (Sweden) , Rime Trails (Denmark), and Gallery Six (Japan). Also highly recommended are two albums featured on our 2016 year-in-review – Radio Sea’ by Adzuki and ‘Mothers Garden’ by Å Asher-Yates, a brand new reissue of ‘Naar Vi Vaagner’ by øjeRum, and a pair of works by Dimitar Dodovski, ‘Derive’ (2016) and ‘In Every Direction’ (2015). All releases can be found here on their Bandcamp site.
Sound In Silence is a small DIY record label based in Athens, Greece that has been releasing limited editions presented in collectible handmade packaging since 2006. Featured here are four of their most recent releases by moshimoss & stabilo, anthéne, bvdub, and (ghost). I also recommend browsing through the rest of their Bandcamp catalog where you’ll find gems by artists such as Wil Bolton, Caught in the Wake Forever, Good Weather for an Airstrike, and North Atlantic Drift.
Based in Montreal, Québec, Moderna Records is a recently founded label that has quickly established itself as a home for wonderful new voices in experimental and modern classical composition. Having introduced many listeners to artists such as Veronique Vaka, Ed Carlsen, and Tim Linghaus, they do it yet again with the debut solo album by Japanese composer & pianist Daigo Hanada. Written in Berlin and Tokyo over the course of a year, Ichiru is a collection of intimate vignettes recorded with only an upright piano, a pair of microphones and two hands.
The past six months has seen a small flurry of solo piano recordings from Akira Kosemura , a Tokyo-based recording artist and composer & sound producer for film, stage, and television. This travelogue features a quartet of releases, two from Kosemura’s own Schole Inc. label along a with a pair that find a fitting home on the prolific 1631 Recordings, each with its own unique character & charm.
Calmly transportive. Blissfully adrift. Hazy and translucent. A listening journey with four exceptional albums from around the globe that delve into the idyllic side of ambient and electronic music created by The Green Kingdom (USA), Chihei Hatakeyama (Japan), Warmth (Spain), and James Murray (UK).
Hakobune, aka Takahiro Yorifuji, uses layers of guitar to create his sonic landscapes. Originally from a small town in the Hyōgo Prefecture and now based in Tokyo, his immaculate drones are characterized by their wonderful sense of simplicity, harmony and balance – light and dark, coolness and warmth, opacity and translucency, introspection and extrospection. For a prime example of his more intimate work, seek out the gorgeous Seamless and Here on Patient Sounds, but his most recent release entitled Moraine turns outward for inspiration and matches the theme with some of his most expansive music yet.
Radio Sea is an entrancing new electroacoustic ambient excursion from Tokyo-based musician Kadzuki Ikegaya under the moniker Adzuki, a collection of ten exquisitely constructed tracks that serve as a tranquil meditation on the sea both literal and metaphorical.
“The noise which comes from the radio sometimes sounds like the sound of the sea”
No one freezes memories and life experiences into musical amber quite like Will Long. His recordings under the name Celer always have a context and back-story that is essential to full appreciation of the work and never more so than on his forthcoming album Two days and one night in which he retraces and re-imagines the journey a great uncle who drowned in 1984 off the coast of Tunisia while staying at the Hotel Amilcar.
“In 2015, I retraced his steps from Tunis to Hammamet. Set part in fiction and part in reality, Two Days and One Night is both a document of my own experience and a re-imagining of what my great uncle might have heard and experienced 31 years before. It’s a shame he didn’t see the burnt orange sunset swirling over the horizon as I did on my departing flight at the end of the second day, but then again, maybe he did.” – Will Long
A listening journey with four albums composed of intricate electroacoustic textures, field recordings, and emotional undercurrents. Immersed in these mild sonic abrasions and vivid soundscapes, the mind can exfoliate… Continue reading