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“A week before leaving, I bought a dictionary and phrasebook…”

Under the moniker of Celer, American musician, writer, & photographer Will Long has released a staggering amount of material – a wide assortment of drones, soundscapes, sketchworks, and processed loops. No doubt his many followers each have their own favorites, but personally I always find his work most compelling when he creates deeply immersive on-location narratives such as Sky Limits (2014) which presented a sense of daily commuter life in urban Japan, or Two Days and One Night (2016) which wistfully retraced the steps of an elderly uncle’s tragic visit to Tunisia in the 1984.

Long’s preternatural ability to capture scenes and emotions in a kind of musical amber and then turn it into a story comes to the fore again on Xièxie, in which he takes us on a journey from Shanghai to Hangzou on China’s high-speed rail line. Like a cinematographer who slows fast-moving action on celluloid for dramatic effect, Long turns the journey into a mesmerizing soporific reverie punctuated by scene-setting cues like the bustle of a busy station or the whir of a speeding train. To deepen the immersion, he narrates the excursion in the liner notes with all the eloquence of a novelist.

“Covered in rain, during the days and even the nights, Shanghai was lit in a glow, a mist turning to a constant grey fog. Buildings lined with neon and LCD screens flashed, and from around corners and behind buildings, the night was illuminated much the same as the day. Cars separated the classes, their horns voices punctuating the streets, as pedestrians in groups loosely scattered the streets, talking and walking on speakerphone…”

Continue reading “A Sense of Place: Xièxie by Celer”

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Ian Hawgood‘s name is absolutely inseparable from the contemporary ambient & experimental music scene. His Home Normal label, which just marked its tenth anniversary, is one of the first and still one of the best of its kind. He is also a tireless and kind supporter of other musicians in this space and has had a hand in mastering many of their albums across a wide array of labels. His own solo albums, however, have been few & precious so it comes as great news to see one arrive this spring only a year after last year’s for Eilean Rec. Hawgood himself draws a connection between the two, saying that they are “partners in construction”, the result of patient late-night cultivation over nearly a five-year period spent living in Warsaw and Tokyo before ultimately selling off his entire collection of synths and reels, some of which went to the British Library.  One might argue he saved his best for last as Impermanence is a sublime document of sonic ephemerality and extraordinary filigree in terms of both texture and emotion.

“After many years of in-demand mastering, label curation and collaborative focus Hawgood now offers us a definitive portrait of the technical expertise and personal integrity demanded by exemplary modern tape-based practice…In studios between Tokyo and Warsaw walls of reel-to-reel tape recorders, analogue synthesizers, processed textures and degraded cassette recordings were all carefully coaxed into braiding together their hiss, wow, flutter and warmth into this beautifully flowing nine-chapter arc of delicately unpredictable sound.” – James Murray (Slowcraft Records)

Continue reading “Premiere: “Whispers” from Impermanence by Ian Hawgood”

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Atsuhito Omori has been making nostalgia-tinged instrumental music as Ex Confusion for the better part of a decade now and will be soon be making his third appearance on the n5MD label with ‘I Remember When’.  This will be the first of his albums to see a vinyl release which seems apropos given its highly ephemeral qualities which are ideally suited to the format.

Continue reading “Sound Impression: I Remember When by Ex Confusion [n5MD]”

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This audio journey features a globe-spanning quartet of immersive long-form single releases by Saariselka (Chuck Johnson & Marielle Jakobsons), Hakobune, Arash Akbari, and Dave Watkins.

Continue reading “Travelogue 2018.09.07: A late summer long-form journey”

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Composer and pianist Marika Takeuchi has been involved with music her entire life. She began studies in classical music at the tender age of three in her native Japan and, at age 18, went on to study composition at Shobi Music College in Tokyo and do early career work for Japanese national radio and Universal Music Japan. In 2009, she moved to the United States to study film scoring at Berklee College of Music and saw the release of here first solo album ‘Night Dream’ before graduating in 2012. Since then, she has continued to work on a wide variety of projects as a composer, pianist, orchestrator, and arranger while continuing to release solo recordings such as ‘Impressions’ (2013), ‘Rain Stories’ (2014), and ‘Colors in the Diary’ (2016) which was produced by Windham Hill founder & Grammy-winning producer Will Ackerman and features cellist Eugene Friesen and Boston Symphony Orchestra violinist Si-Jing Huang. Continue reading “Album Stream: Melding by Marika Takeuchi [bigo & twigetti]”

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The music of violinist and composer Hoshiko Yamane embraces a wide and vibrant spectrum. Not only has she has been involved in a diverse array of collaborative, dance, and film projects, but as a member of Tangerine Dream you can find her lighting up stages across Europe this spring and summer as part of the band’s kinetic, kaleidoscopic shows. There is a much more introspective side to her music, however, which she displays on her latest solo album soon to be released by 1631 Recordings. Threads is a luminous collection of pieces leaning toward a minimal ambient aesthetic woven from loops & layers of acoustic violin into tapestries of sound both tender and transcendent.

Continue reading “Video Premiere: What We Should Protect by Hoshiko Yamane”

Archives is a label based in Valencia, Spain run by DJ, producer, & musician Agustín Mena (aka Warmth, SVLBRD). You won’t find a lot of words written by the label about itself. Its impressum can be found in the music which focuses uncompromisingly on pure ambient, downtempo & dub techno aesthetics with a preference for soothing, warm tones and meditative atmospheres. Presented here are six recent releases by an international roster of artists including Logic Moon (Germany), Robert Farrugia (Malta), Yoyu (Canada), Purl (Sweden), Shuta Yasukochi (Japan), and Halftribe (UK). Also highly recommended are their Ambient and Soundscapes compilation series and Warmth’s own ‘Essay’ which was one of the best reviewed ambient albums of 2016. 

Continue reading “Travelogue 2017.07.06: Wandering the Archives”

The inspiration for Chihei Hatakeyama’s Mirage came during a trip to Turkey taken by the artist about five years ago. The diverse & exotic architectures, streets, bazaars, and waterways were no doubt a feast for the eyes, but it was what Hatakeyama heard with his keen musical ear that spurred the creation of the new album. Framed as “a meditation on the phenomenology of music and architecture” it explores the way sound is shaped and influenced as it traverses and mingles with the surrounding structures.

“Walking through the labyrinthian bazaars of Turkey, Hatakeyama took inspiration from the way sounds emerged and decayed within those spaces. Looking to replicate these experiences in the creation of the album, he developed a series of new processes and transformations that expanded his approach to textural music.”

Continue reading “Chiehei Hatakeyama – Mirage [Room40]”

Toronto based Polar Seas Recordings was founded a little over five years ago and for most of that time has primarily served as a home for the releases of Brad Deschamps & Mike Abercrombie as North Atlantic Drift as well as their respective side projects anthéne and Transits of Mercury. In the past year however, the label has released no less than eleven albums, matching the output of the first four years put together while expanding their roster of artists and encompassing a broader sonic palette. Here is a roundup of some the most recent and recommended. 

Continue reading “Travelogue 2017.05.31: Spotlight on Polar Seas Recordings”