New music from Rachel Grimes is always cause to sit up and take notice. The in-demand pianist, composer, arranger, and collaborator extraordinaire has been involved in numerous projects of late, but we’ve not been treated to a full-length album of her own compositions since 2015’s The Clearing, that is until now with the release of her splendid soundtrack to The Doctor From India by filmmaker Jeremy Frindel,a portrait of the life and work of Dr. Vasant Lad who first brought the ancient medical practice of Ayurveda from India to the west in the late 1970s. I confess to not having seen the film nor being familiar with Dr. Lad and his story, but having spent some time with the album, I can attest to the uplifting power and quietly dazzling beauty of the music it has inspired Grimes to compose and perform along with Scott Moore on violin, Jacob Duncan on saxophone & flute. Continue reading
Originally from the Pacific Northwest and now living Durham, North Carolina, Mike Grigoni is a composer & multi-instrumentalist who plays dobro, lap steel and pedal steel guitar and records under the name M. Grig. While he has settled personally in the Tar heel state, Grigoni’s music has found a home on Canadian label Other Songs where he has released a trio of delightful EPs – Field Notes (2016), Still Lifes (2017), and the brand new Millpond Way.
Danish collage artist & musician Paw Grabowski aka øjeRum made his first appearance on KrysaliSound with one of the standout EPs of last year, a reissue of his alternate soundtrack to Chris Marker’s 1962 time travel film La Jetée entitled He remembers there were gardens. He returns with an encore reissue of another øjeRum long form piece, albeit a more pastoral one. Stilhedens Strømmen I Fuglenes Blod is a 30-minute suite of haunting acoustic guitar motifs, gossamer textures, and percussive chimes as delicate as the hollow bones of a tiny bird.
From the heartland of America comes a fascinating split release by Kyle Bobby Dunn and Wayne Robert Thomas that will engage your mind as much as it will your ears. Each artist contributes a single long-form track to be released together in a limited vinyl edition by Ohio-based Whited Sepulchre based in Cincinnati, Ohio. By now the savvy reader might be bemoaning my ignorance saying to themselves Dunn is Canadian. True enough, but he his explores a distinctly American theme on his composition which both complements and segues the wistful ruminations offered by his Indianapolis-based collaborator.
Over the past few years, we’ve enjoyed some dazzling albums from Belgian guitarist Gowaart Van Den Bossche under the moniker of Yadayn, but that is not his only musical project nor is it even his oldest. That turns out to be Zura Zaj, a collaboration with horn-player Jonathan Baltussen and violinist Lieze Van Herzeele that has been on a decade long journey to its debut release entitled Small Obstacles.
“Zura Zaj’s journey started ten years ago when three young musicians met in a university orchestra and started tuning their instruments to each other’s tastes and creativity. A Hungarian roommate called it “strange sounds”, or “zura zaj” in the dialect of his home region, and so our name was born…Small Obstacles is the outcome of a decade of searching and finding, of overcoming and bonding.” – Zura Zaj
Dauw is a Belgian boutique label based in Ghent that specializes in handmade cassette releases of electroacoustic ambient music of an especially organic & pastoral nature and features a unifying visual aesthetic based on the graphic artwork of Femke Strijbol. The label offers sounds and colors eminently suited to the gentle awakenings of springtime and it is our good fortune that they have put up some irresistible new releases for the season.
A little over a year after his patient fusion of close mic’ed solo piano with delicate synthesizer constructions on The Words She Said (reviewed here), Irish-born, Montreal-based composer/producer Paddy Mulcahy returns with an enigmatic foray into finespun electronica & percussion in the form a striking five-track EP entitled From Water. It begins with the shimmering “You Could Walk Across the Shannon” which treads a fine line between hope & melancholy in keeping with what Mulcahy sought to put across in the song.
“‘You Could Walk Across The Shannon’ is about overcoming the impossible. It’s a musical representation of being an underdog in a vicious race; it’s the rare ability to walk across a riverbed at low-tide. I want to inspire people who are suffering, people who are sad and feel like there’s no point. This music was inspired by nature, people and overcoming my depression.” – Paddy Mulcahy in DJ Mag, 03/09/2018 Continue reading
It is hard to conceive of a more fitting title for latest offering from 36 (pronounced three-six), the ambient / experimental project of Dennis Huddleston from the United Kingdom. Circuit Bloom is like a garden of electronic flowers that bud and blossom in a slow, kaleidoscopic efflorescence of fleeting ephemeral beauty. In a shift from recent 36 releases that resonated on a cosmic scale, Huddleston chose a more introspective theme for a group of songs which serves as a prelude a full-length album to come later this year.
“[Circuit Bloom] contains a selection of 6 predominantly piano-based tape loops, exploring the themes of isolation and escapism, through a Cyberpunk-inspired lens. For me, Cyberpunk is about people living on the fringes of society, finding ways to deal with the hardships they face, through the manipulation and exploitation of technology. It’s a genre/aesthetic I’ve always loved and its influence has always seeped into my music.” – Dennis Huddleston, aka 36
It almost sounds like a pitch for a screenplay. European jazz guitarist travels to New York and answers and ad for an open room posted by an experimental electronic music producer. Kindred spirits who followed very different musical paths, the two hit it off and end up creating an album of music together. Only it’s not a screenplay. It is the story of Munich-born and Zurich-based guitarist Max Frankl and Brooklyn-based Christian Banks aka Walrus Ghost. At the time Frankl moved in, Banks was about to release his debut album Uplifting Themes for the Naysayer. Despite striking up an instant friendship, it took time for their mutual appreciation of each other’s approaches to writing & playing music to grow. But, grow it did. First a song, then a handful of tracks, and finally a complete album called Avenues and Remembrances which will be released later this month.
“When we first met, we could both feel a great connection between the two of us. Some weeks later we recorded some music together, which was one of the greatest experiences I had while playing and recording with a lot of different musicians in New York. The things I treasure in Christian`s music have a lot to do with my compositional approach towards music: I like warm and rich environments that bring a particular quality to the music that is sometimes lacking in hectic day to day life: calmness, silence, and tranquility.” – Max Frankl
Still basking in the afterglow of Piano Day 2018, this edition of Field Notes puts the spotlight on a superb quartet of new & upcoming piano-themed releases by Goldmund (Western Vinyl), Stefano Guzzetti (Home Normal), Muriël Bostdorp (Whales Records), and a cadre of artists associated with Moderna Records. Continue reading
On Piano Day 2018 the sounds of musicians will be heard around the globe celebrating a love for one of the most beloved and expressive instruments in the world. Among them will be names that might be new to many listeners such as Barry Kernachan who is releasing his new album to coincide with that special day. Not that he is new to music. Far from it. Barry has been playing since he was a child and writing for a number of years. But Layers is an album where he strips everything back and focuses on the core instrument. It is bright, melodic, and engaging record that piano music lovers will find easy to fall into. In this interview provided by Preserved Sound, Barry talks about the album, his musical journey and his improvisational process. Continue reading
“Metaphors have a way of holding the most truth in the least space…This work was born in the silence between other major projects. The work explores the subtle beauty of the piano in an attempt to capture something warm and real and alive.” – Euan Alexander Millar-McMeeken aka Glacis
These days truth is hard to find and even harder to hear amidst the din and chaos of a world that seems to be spinning ever faster towards madness. For many of us that makes albums like Metaphors quite precious. Just a man and his piano speaking truth in the euphonic language of wordless song. And what lovely songs they are – simple, profound, memorably melodic, and bound to the space in which they were created by the creak and hum of the piano which was preserved in the recordings. Continue reading