The partnership of visual artist Anna Salzmann and composer/musician Garreth Brooke (aka Garreth Broke) has always been a special one both personally and creatively. Their latest work together is entitled Healing and combines 11 abstract artworks by Anna with 25 minutes of piano music by Garreth which seeks to explore this complex and sometimes contradictory emotional process from several perspectives.
“Healing explores the complex, not always linear process of healing. Any struggle is full of contradictions: there are moments of pain and relief, tension and release, opacity and clarity. Part of what made Anna and I fall in love with each other was a shared need to create, whether that was art or music, and a recognition that we were both creating in order to heal. Like all couples, we have old wounds, whether they be physical or mental. We’ve found that the act of creation/healing is far more powerful when working together because it forces us to listen more carefully, to act more wisely, to strive to find workable compromises.” – Garreth
In art as in life, Anna and Garreth prove to be ideal complements for one another as can be seen in this video premiere of the touching opening sequence of the album (“Intro”/”Hiding”) accompanied by Anna’s striking watercolor & ink images in motion.
Continue reading “Through a Musical Lens: Healing by Anna Salzmann & Garreth Broke”
Known predominantly for his extensive work in film (“Three Identical Strangers”, “100 Streets”, and “Starfish” among others) and writing arrangements for such artists as Coldplay, Badly Drawn Boy, and Kasabian, British composer and mult-instrumentalist Paul Saunderson will soon be releasing his own debut album which blends electronics and field recordings with classical instrumentation. Passage, which will be available July 5 from the 1631 Recordings imprint is a 14-track opus strung together in a continuous flow which parallels Saunderson’s own personal journey over the past several years in which he disperses intimate piano works dispersed amidst euphoric orchestral pieces of cinematic scope.
“I have always been interested in combining electronics with classical music, something that has become a large part of the writing in my film work. Music and nature have always held a strong bond, so I also wanted to retain an organic element, often creating sounds from field recordings, taking something literally from nature and turning it into music.” – Paul Saunderson
Continue reading “Video Premiere: Now I Am Found by Paul Saunderson”
The third and final installment in Lucy Claire‘s “Works” series is a beautifully conceived EP that takes her music out of the confines of living room and studio to integrate with a variety of soundscapes. In a rather fresh take on the concept, she has taken an especially interactive approach which, when combined with her keen sense of narrative and use of binaural recording techniques, creates a series of vivid, immersive and pleasantly disorienting scenes. The magic is in the layering and juxtaposing of the many field recordings used in each piece and then contriving musical reactions to each setting.
“a Lisbon tram journey
a walk through an old ship building yard named Bucklers Hard
a car journey across the Pennines in a hail storm
a walk along a towpath in Dorset
a hike to a castle in Schwarzwald, Germany
a walk in the New Forest…”
Continue reading “Lucy Claire | Scape Works [1631 Recordings]”
Search as you might across the web, you won’t a great many words about pianist/composer Luis Berra. In part that may be because his debut album (‘Piano Creatures‘, 2017) came out only last year. To some extent, however, it appears that the Italian-born musician, who currently lives & works in Bavaria, simply prefers to let his piano do the talking. Whether teaching at a music school, performing on a stage or in the lobby of a luxury hotel, or recording in the studio, it is how he tells his stories and he does it with an eloquent and mellifluous voice. This is abundantly evident on his sophomore outing entitled ‘Ancestral Dances’, a splendid solo piano record that gracefully soars, sways and pirouettes through a dozen narratives spun from ivory keys and wooden hammers.
Continue reading “PREMIERE: “A Walk With Mr. J” from Ancestral Dances by Luis Berra [1631 Recordings]”
Just a piano and a voice. But not just any piano or any voice. The kind of eloquent and expressive piano that stops time and a charismatic voice that stops you in your tracks with its fierce vulnerability. It is this arresting juxtaposition of influences ranging from Satie & Debussy to Fiona Apple & Regina Spektor that defines the latest album by composer and musical force of nature LAVALU. With its intimate presence and starkly beautiful minimalism, Solitary High distinguishes itself from the jazz-pop crossover sound of her critically acclaimed ‘Now’ (2009) and the theatrical music she composed for Het Pauperparadijs (The Pauper’s Paradise)
Continue reading “PREMIERE: Longest Dawn by LAVALU [1631 Recordings]”
Last year, Emmy-award winning composer & pianist Michael Price gave us some precious insight into his creative process with Diary, a set of purely improvisational single-take recordings he compiled over a six week period (you can read more about the project here). While Price has since been at work on TV & film scores as well as his highly anticipated new Tender Symmetry project, a stellar cadre of eight artists have revisited the 30-track collection and hand-picked some of its “raw” entries to be polished into pure moder classical diamonds for a new EP called Diary Reworks.
The songs on Diary were certainly lovely enough and warmly accessible on their own terms, but, by their very design, they were unrefined and unedited. In the context of Diary Reworks, we can think of it as a sketchbook left behind by the artist for others to embellish and bring to life as full color, multi-dimensional works of art. Case in point is the lovely treatment of “I Will, For You” by Sophie Hutchings , premiered here for the first time.
Continue reading “Premiere: I Will, For You (Sophie Hutchings Rework) From Diary Reworks by Michael Price”
The music of violinist and composer Hoshiko Yamane embraces a wide and vibrant spectrum. Not only has she has been involved in a diverse array of collaborative, dance, and film projects, but as a member of Tangerine Dream you can find her lighting up stages across Europe this spring and summer as part of the band’s kinetic, kaleidoscopic shows. There is a much more introspective side to her music, however, which she displays on her latest solo album soon to be released by 1631 Recordings. Threads is a luminous collection of pieces leaning toward a minimal ambient aesthetic woven from loops & layers of acoustic violin into tapestries of sound both tender and transcendent.
Continue reading “Video Premiere: What We Should Protect by Hoshiko Yamane”
What is a memory? It is not such a silly question. Just stop and think about it for a moment. Try to put it into words. What IS a memory? How do they accrue such significance to our sense of self? Musician Tim Linghaus wrestles with this in a beautiful and touching way on his latest album called Memory Sketches. Tim’s experiences with making music began when he discovered his father’s Yamaha drum machine and guitars when he was a young boy in the GDR. During his university years he played guitar in a couple of bands ranging from metal to singer/songwriter, but of late his music is mainly based on piano, synthesizers and noise. If you have had the joy of listening to his debut Vhoir, then you know it is of an exceptionally thoughtful and delicate nature and the new album continues very much in the same vein but with a very particular purpose as Tim explains.
“What is a memory? Is it a residue of our past conjured into being by pictures in our minds? Is it our former self communicating with our present one or the other way around? Is it a recurring emotion or smell we notice in a déjà vu or a daydream? Is it an individual sum of those aspects? What I know is that memories help me to define who I am. They establish connection between me and everything that is not present or future – sometimes sharp and palpable, more often soft and frail. Unfortunately, some memories fade away irrevocably. Hence, I am quite afraid of losing them.” – Tim Linghaus
Continue reading “Through a musical lens: Memory Sketches by Tim Linghaus [Schole/1631 Recordings]”
I first encountered the music of London-based composer Lucy Claire when the Stationary Travels blog was only about a month old, an affecting piece entitled “Paelistin” savored over a cup of coffee on a quiet Saturday morning. Soon after that came the stunning two-part Suite (reviewed here) and a pair of beautifully realized collaboration & remix EPs featuring guest artists such as Marie Schreer, Alev Lenz and Tom Adams. After a relatively quiet 2017, it is wonderful to hear that Lucy is planning a series of releases throughout the year and she could hardly hope to get off to a better start than the first installment, a ravishing quartet of compositions entitled String Works which is now available.
Continue reading “Lucy Claire – String Works [1631 Recordings]”