Sound Impression: Fieldem by Silent Vigils [Home Normal]

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One of the steadiest sources of light among labels that feature & promote ambient music from around the globe is Home Normal under the guidance of Ian Hawgood, a fine artist and mastering engineer in his own right. The newest entry to their catalog brings together two outstanding artists who likewise both curate independent labels while creating their own music, Stijn Hüwels (Slaapwel Records) and James Murray (Slowcraft Records).  The new collaborative project is called Silent Vigils, a suitable moniker for the liminal quiescence of sound these two kindred spirits have reached across water to create with one another.

“Molenbrook, Mossigwell, Zwartewall, Fieldem… places neither here nor there; half in the world, half in the mind. We began this project as an exchange of gestures across the water, a dialogue motivated by mutual respect and revolving around our shared love of the minimal, the graceful and the understated. We completed it on 22nd March 2017 – the day of the Westminster attack, one year to the day after the Brussels bombings. These four pieces have become our personal dedications to the quiet strength of blended culture, free thinking and open borders.” – Silent Vigils

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Sound Impression: Distant Scenes by Ashlar [Whitelabrecs]

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Lazy Saturday afternoons in Liverpool provided the context for Ashlar, a collaborative project of  Wil Bolton and Phil Edwards. The two began collaborating about 7 years ago ahead of their debut release Saturday Drones (Time Released Sound, 2011) which was based on sessions recorded in the public houses of the city’s Georgian quarter while St. James’ Gardens (Hibernate Recordings, 2014) was inspired by field recordings made in & around the park of the same name. Bolton has since relocated to London, but the project lives on in a new record aptly titled Distant Scenes based on a similar modus operandi with adjustments made to accommodate the geographical separation. This time the field recordings come from locations as varied as Japan and Korea as well as the UK and the impromptu recording sessions have been replaced by an asynchronous approach of sharing, augmenting, processing, and remote exchange. While this may have been a dramatic change in how the project was conducted, the listener will find the languorous beauty and friendly experimentation that characterized Ashlar’s previous work lives on albeit with a new patina burnished with welcome touches of melancholy and nostalgia.

Distant Scenes is an album built around distance, time and space as their different recording locations inspired new but separate ideas. A warm but blurry canvas has been woven over a four year period, as time has rusted the memories of the good old days spent jamming on their earlier albums and newer ideas have been corroded into a melancholic fuzz. – Whitelabrecs

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Premiere: “Pont” by Zoltan Fecso [Hush Hush Records]

coverNow based in Melbourne, Australia, Zoltan Fecso‘s musical evolution began as he grew up in Budapest, studying classical piano from an early age and then discovering a fascination for electroacoustic music while at university. Seeking to fulfill a unique vision of performing live with acoustic guitar and electronics, Zoltan had an opportunity to work with renowned luthier Ian Noyce in the creation of an acoustic guitar with MIDI capabilities capable of fusing organic instrumentation with endless possibilities of electronic programming. It turned out quite the success, leading to a busy period of industry recognition, an artist residency, live performances, a viral video, recording under a variety of monikers, and engaging in music technology talks throughout Europe.

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Video Premiere: Murmuration by Erland Cooper & William Doyle

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Earlier this year award-winning multi-instrumentalist and producer Erland Cooper released Solan Goose, a magical journey to the Scottish archipelago of Orkney celebrating its landscapes, avian fauna, and local dialect (read the ST review here). Then, this summer he surprised us with an impromptu release of a spontaneous new ambient work based on the original material called Murmuration which he developed in collaboration with musician William Doyle (aka East India Youth). If Solan Goose was the vision, then Murmuration is the dream. One is a vivid and transportive sonic portrait that sweeps the listener up into its exhilarating narrative, the other a haunting, chimerical reverie in which to get completely and pleasurably lost.

“Sound is important to me. Over the years the word ‘murmuration’ has been associated solely with a flock of starlings, but it actually refers to the sonics of a flock of birds. So when Bill Oddie and others say: ‘Let’s go and see this murmuration’, that’s not quite right – you hear it. The theme of this record fits with a particular group of sea birds that, unlike many other birds, spend the first 5-10 years of their lives travelling far and wide out to sea in solitude, before settling down to find a partner and lay a single egg. It’s a recycling or ‘upcycling’ of sounds, themes and layers into a new collaborative work.”Erland Cooper

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Sound Impression: Dissimilar Lake Pigments by Lee Yi [Rottenman Editions]

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The soft pink textures on the cover of Lee Yi‘s new album Dissimilar Lake Pigments might at first seem to be at odds with its title, but delve into the liner notes and you will learn that this immersive new exploration of color and sound was inspired by Lake Hillier, a body of water just off the Pacific coast in Western Australia which is, in fact, astoundingly pink in color.

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Jeff Mercel – Lunescapes Volume One

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If you don’t know Jeff Mercel by name, there is a pretty good chance you have heard at least some of his music. A composer, producer, and multi-instrumentalist, Mercel was a contributing member of the pioneering American indie rock band Mercury Rev from their critically acclaimed album Deserter’s Songs in 1998 until leaving the band in 2010 to focus on composition for television and film. His work has appeared on major TV shows like CSI and This American Life and commercials for mega companies like Pepsi, BMW, & Google and he continues to work as a session musician, band member (Miracle Whips, Ultraam), as well as being national music director for O+ (a national non-profit, based in Kingston, NY that works to provide musicians & visual artists with access to health care).

The music for his first full-length solo recording under his own name, however, is a much more intimate affair and was recorded in his home “mostly in the kitchen, on a sometimes unruly upright piano”. Lunescapes Volume One is a shimmering collection of instrumental “vignettes, intimate landscapes, and lo-fi fantasies” rendered with the sure hands of a skilled composer and journeyman musician with a keen melodic ear.

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Travelogue 2018.06.17: An Ambient Summer

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As spring dissolves into summer, the stillness of beautifully crafted ambient drones and languid electroacoustic soundscapes are just the ticket for the right state of mind. Fortunately some of the finest artists in the field have unveiled new recordings for us to enjoy and here is a look at eight of them you won’t want to miss.  Featuring Ant’lrd, Benoît Pioulard, Bradley Sean Alexander, Halftribe, Solidarity Hymn, Sven Laux, Tapes and Topographies, Valotihkuu, and Warmth

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Sound Impression: A Light, A Glimmer by Various Artists [Polar Seas Recordings]

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Since starting out mostly as a home for Canadian duo North Atlantic Drift and the side projects of members Brad Deschamps and Mike Abercrombie, Polar Seas Recordings has expanded its reach in recent years and boasts a surge of excellent new releases for 2018 by artists such as Celer and Hakobune. The most recent of these is an outstanding new charity compilation called A Light, A Glimmer which will support of Wishing Well Sanctuary, a farmed animal sanctuary in Ontario that provides both for animals in need and education for children and adults with the goal of promoting compassion for other species.

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Duologue: A conversation with James A. McDermid

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The summer series of duologues begins with special guest James A. McDermid. Those who pay close attention to the goings on in the community of artists who make experimental & electronic music have likely taken increasing notice of his work with three full-length albums on as many labels over the past year as well as the launch of a new Mixcloud radio show. Not only that, but James can be found on Twitter passionately supporting the work of many fellow artists. This burst of activity, however, began after nearly 9 years without a release and the devastating loss of a dear family member. I am very pleased to share this candid and insightful conversation with James about his artistic journey and recent & upcoming albums.

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Various Artists – Thesis Collected 01

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Gregory Euclide is an artist and teacher living in the Minnesota River Valley. A recipient of numerous grants and fellowships, his work has been featured in museum exhibitions both across the country and abroad and has been featured in a variety of prestigious publications. His work has also been frequently connected to music. He provided the memorable cover for Bon Iver‘s self-titled 2012 Grammy winning record as well as album covers for a number of artists featured on these pages including Will Samson, Seabuckthorn, and Loscil – which brings us to the topic at hand, the THESIS project founded by Euclide in 2016 with assistance from Gabor Kerekes. More specifically, the occasion is the first CD release from this remarkable project, Thesis Collected 01, which allows entry into its vault of musical wonders for those for whom the vinyl format is still a constraint.

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Video Premiere: Prinsengracht by Klangikret & Sjors Mans

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As 2017 drawing to a close, Stationary Travels premiered a track from The Amsterdam Sessions, an EP which resulted between Stockholm-based by Fabian Rosenberg (aka Klangriket) and Sjors Mans in his Amsterdam studio where they came up with five impeccably beautiful pieces named after locations in the city that intertwine ambient textures and atmospheric electronics with delicate piano-based compositions. It’s a pleasure to call attention to this project once more, this time on the occasion of the premiere of a mesmerizing video for “Prinsengracht” created by Frida Holmgren who also contributed violoncello on some of the tracks.  In it she brings to life the pulsing patterns and blooming surges in what is the most kinetic piece on the album.

When Fabian first played the song for me, we were sitting in a studio at school. I saw the reflection of strip lights on a black computer screen and really liked the pattern it made. That is what initially inspired me. And I wanted to make a hypnotic video, since that’s how the song was for me when I listened to it. – Frida Holmgren

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Sound Impression: Millpond Way by M. Grig [Other Songs]

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Originally from the Pacific Northwest and now living Durham, North Carolina, Mike Grigoni is a composer & multi-instrumentalist who plays dobro, lap steel and pedal steel guitar and records under the name M. Grig. While he has settled personally in the Tar heel state, Grigoni’s music has found a home on Canadian label Other Songs where he has released a trio of delightful EPs – Field Notes (2016), Still Lifes (2017), and the brand new Millpond Way.

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