Following last year’s impressive full blossom of the evening, California-based r beny returns with another beautifully crafted opus fashioned from modular and hardware synthesizers entitled cascade symmetry. The album, which was recorded in San Jose but features additional field recordings captured in South Korea is a work the artist refers to as the “culmination of an intense and transformative year-long period” and “an ode to new beginnings and the disintegration of the past”. While that may be true creatively speaking, the listener will experience this album as a soothing immersion in a world of sumptuous textures; a warm and inviting quiescence of time as lush, shrouded, and remotely melancholic as Austin Cairn’s imagery of the Oregon coast on the cover suggests.
Unsichtbar is a new project from Lima (Peru) shrouded in a mystery by design. The word, meaning ‘invisible’ in German, is an apt choice for the anonymous alter ego chosen by the artist for an intuitive creative process unencumbered by preconceptions or set guidelines and deliberately unmoored from a conscious sense of self.
If I give too many details, I go back to myself, and that’s something I am trying to avoid. Here, I experiment with completely different and new sounds with the only intention of experimenting. No hidden messages, no complicated concepts, nothing at all. Just textures and sensations. That’s what ‘Erlebnis’, my debut album, is about. A creative process that, if transposed into life, could be seen as youth and the experiences we go through while growing up and discovering ourselves. – Unsichtbar
The debut album Erlebnis (‘experience’) offers 8 mostly unstructured sonic experiments that skew heavily toward the crepuscular and opaque. Dense, even ominous at times, there is an emotional undercurrent throughout which occasionally breaks through in fragments of melody and tender moments of heightened perception. These characteristics are abundantly evident in “Junges Liebespaar” which you can listen to here in an exclusive premiere. Continue reading
There are few artists who are able to convey the full drama and scope of the existential ache through their music as Amir Abbey aka Secret Pyramid. Drawing inspiration from the vast Pacific Northwest where he is based, he builds plaintive minor key melodies into monumental edifices of sound that somehow never lose their intimacy or emotional compass and he as the height of his powers on his latest album entitled Two Shadows Collide. This music is full of compelling paradoxes. It is crepuscular and illuminated; tentative and transcendent; lush and barren, majestic and devastating. But it is these very conflicts that are at the heart of the album’s themes.
Carefully built and fluidly performed, the record expands Abbey’s relationship with modern composition and abstract songcraft. Each song’s main inspiration comes from the notion behind the album title, the intersection and attraction of forces and worlds, clashing of sounds, and the dualities within our lives. That such a meditative release is built upon conflict is ironic, but therein lies the perfect way to listen. – Ba Da Bing Records
Founded by members of two projects known for soaring instrumental rock, namely No Grave Like The Sea and Katmai, Purna is a newly formed experimental/ambient trio that explores much more nebulous territory where stillness, restraint, and nuance hold sway. Their debut effort entitled Grachiel is on the cusp of its release via AM 800, a recently established DIY label that is also home to bands previously featured here such as North End and Signal Hill. To give a taste of the lush, moody soundscapes on display on this record, you can have an exclusive first listen here to the track ‘11545kHz’
It has been a little while – too long in fact – since we have visited the shores of the Eilean, an imaginary territory the map of which is now dotted & colored by 60 albums covering a broad and eclectic spectrum of ambient, electroacoustic, and modern classical music. The label saw five outstanding releases over the summer months by Bill Seaman, Toàn, Josco & Spheruleus, Francesco Giannico & Giulio Aldinucci, and Monty Adkins and has begun the transition to autumn with an exceptional debut record by Cicely Irvine. Here is a brief synopsis of each along with selected tracks for the reader to explore as well as links to the artists whose work is featured on the covers where available. (Note: most of these limited editions sold out soon after their release, but some may be available in small quantities; check the linked Bandcamp pages for details).
Soft Ice is a gorgeous, billowing immersion in youthful memories of winters past by ambient artist Angela Klimek under her musical nom de plume, poemme. The album which she released herself earlier this year is now available in a nicely packaged CD edition on Polar Seas Recordings where these beautiful monochromatic dreams in drone form find a fitting home.
“This collection of songs was composed specifically for sleep and reflects my memories of winters growing up in Cleveland. The endless gray skies, the magic of a fresh blanket of snow, and more wonder still once Lake Erie transforms into a vast, frozen desert. The scene takes place at my favorite lakeside park, with a pale sky above and waves of solid ice below. All is silent but for a flock of geese in the distance, making its way to warmer land…” – Angela Klimek
Blue is the color and blue is the mood of Down to the Sadness River by Emilía, a new collaboration between Lee Yi & Vanesa Jimenez (aka Meneh Peh). The album is being released on the multi-disciplinary Rottenman Editions which was founded by Jimenez and where you can also find their 2012 recording under the moniker Niñocometa along with Yi’s lovely Motet EP from earlier this year. The album’s description alludes to “a painful life” and “a suffering past, tragedy and the slow search of the long road to stillness” and while the artists respect their own privacy regarding the details, there are poignant clues in the song titles and there is certainly nothing held back in the haunting intensity of the music.
Toronto based Polar Seas Recordings was founded a little over five years ago and for most of that time has primarily served as a home for the releases of Brad Deschamps & Mike Abercrombie as North Atlantic Drift as well as their respective side projects anthéne and Transits of Mercury. In the past year however, the label has released no less than eleven albums, matching the output of the first four years put together while expanding their roster of artists and encompassing a broader sonic palette. Here is a roundup of some the most recent and recommended.
Heavy, oscillating waves of sound wash up on imaginary shores warmed by the rays of a distant sun. The Vacation, the latest album by Oleksiy Sakevych under the moniker of Endless Melancholy is a worthy follow-up to his well reviewed 2015 release Her Name In A Language of Stars.
Even more so than its predecessor, it evokes a sense of cosmic wonder and vast, otherworldly vistas while being anchored to a strong emotional undertow which lends it the haunting poignancy that makes it so compelling. Best experienced as a complete journey from start to finish, there are some individual standout moments, with tender stillness at the heart of “Wouldn’t We Be Lonely” and the transcendent, palatial slow build of “Enough to Cost Us a Lifetime” being arguably among the most striking.
Imagine the textured, aerated drones of Sky Margin (Own Records, 2013) and the pastoral romanticism of Along the Mantic Spring (Infraction, 2014) fused into a single amalgam and then elevated into a dazzling, symphonic edifice of sound. Avifaunal is the brand new lush and expansive musical narrative created by Alex Smalley (aka Olan Mill) and Simon Bainton under their collaborative moniker of Pausal now out on Dronarivm. The grandiosity of the new record has its origins in a live performance a couple of years prior at a venue which invited experimentation on a large sonic scale.
In 2015 the band were asked by Martin Boulton of Touched Music to perform in Pembrokeshire, Wales and set about generating new material for the show. It was also an opportunity to develop a new equipment setup including looped turntable, voice microphones and synths. A local hall was hired for improvisation and practice sessions which provided an interesting sonic space to explore and possibilities to work at far louder volumes, both of which helped shape the eventual live set and the track “Murmuration” as that is represented here. “Spiral”, “Scatter” and “Soar” were also edited and assembled from the recording sessions around this time.
The reassuring steady hum of soft drones, temperate in mood, weightless as if held aloft on gentle air currents; permeable to texture and filigree; slowly turning to catch shimmering glints of light; calm; harmonious. A salve for the ears and a balm for the soul. These are the things that come to mind listening to Constellate by artist & musician Steve Pacheco which he recorded in Santa Fe and Los Angeles. Understated and beautifully crafted, it is an excellent an inspiration to moments of reflection and an excellent companion to working in solitude.
With more than half of its 100 map points now filled in, the imaginary island of Eilean has evolved into a remarkably eclectic, globally diverse, and often magical place. Point 80 on the map has been selected by a pair of collaborating musicians from Latvia – sound designer and field recordist Sound Meccano (aka Rostislav Rekuta) and ambient guitarist Jura Laiva. Together they have contrived a vivid collection of soundscapes entitled Salty Wind and Inner Fire.