Amidst the teeming diversity and cacophonous sprawl of Los Angeles are scores of people who specialize in making and selling dreams. There is probably no place on earth that has not been imagined or portrayed there and preserved on celluloid. But to truly experience the soul of a place, to connect with it, soak it in, and meaningfully interact with it, you really do need to be there. Perhaps it was with this mindset that Brian Allen Simon aka Anenon packed up his instruments in the spring of 2017 and left behind a roiling political/cultural climate for the serene and picturesque rolling hills of Tuscany, home to millenia of sublime artistic expression and enviable provincial life. There, in a makeshift attic studio on the third story of a 16th century villa in the small town of Palaia he embarked on a month long musical odyssey which resulted in his fourth LP entitled Tongue.
“I live in the city of ephemerality. The omnipresent LA light soaks my mind and body and moves me forward towards a dark and inconsistent absence of remembrance. Around me, histories are bought and sold daily in an unplanned, urban and suburban dwelling that on paper makes zero sense, but in reality has become a haven for wide open creative thinking and action that couldn’t exist anywhere else…I wanted to make music that can live inside of anywhere one finds themselves: city or country. It’s a series of shifting moods and melodies that through the heart, mind, hands, throat, and tongue sing an outpouring of metaphysical, nuanced psychedelic passing truth.” – Brian Allen Simon
Continue reading “A Sense of Place: Anenon – Tongue [Friends of Friends]”
One of the most unexpected and pleasant surprises of the year so far is a stunning new collaboration between a pair of sound artists from separate continents – Dalot (Maria Papadomanolaki), originally from Greece and currently based in London, and Sound Awakener (Nhung Nguyen) from Hanoi, Vietnam. Imaginatively conceived and elegantly packaged, Little Things presents a pastiche of sonic artifacts and divergent personal narratives transfigured into wondrous inner landscapes that become wholly immersive for the listener.
It starts from ground-level interactions, field recordings of soundwalks in parks, on the streets, hydrophones in rivers and contact microphones on bridges and delicately moves to the ethereal…The album creates a journey for the listener; a journey of changes between the two artists’ lives; the changes in seasons, life-events, ordinary moments and creative processes that affected the perspectives and emotional states within which this album was produced. In ‘Little Things’ the two artists offer an adventurous exploration of internal landscapes through sound and memory, the light and shadow encountered within. – Fluid Audio
Continue reading “Dalot and Sound Awakener – Little Things [Fluid Audio]”
Each of these albums is conceptually, thematically or musically connected to a particular place or time – personal narratives, journeys remembered, or depictions of landscape real or imagined. Each one takes the listener on a journey and immerses them in a unique place or moment in time. One might say they represent the very essence of stationary traveling, which makes them quite to special to this listener in particular…
Continue reading “2017 In Review: A Sense of Place and Time”
The “Presence” series is a new solo project from Andrew Tasselmyer (Hotel Neon, The Sound of Rescue) which he frames as “an ongoing experiment in intentional listening” and describes as “a combination of found sound and intuitive, responsive composition…the product of being present”. The first volume in the series consists of eight variations on this theme, each one building a musical narrative around a field recording taken from the context of everyday life and ordinary objects.
Continue reading “Sound Impression: Presence, Volume 1 by Andrew Tasselmyer”
The year in review begins with a new type of list for 2016, but one I very much hope to maintain going forward. Each of these albums is conceptually, thematically or musically connected to a particular place – personal narratives, journeys remembered, or depictions of landscape real or imagined. Each one takes the listener on a journey and immerses them in a unique place or moment in time. One might say they represent the very essence of stationary traveling, which makes them quite to special to this listener in particular…
Continue reading “2016 in review: A Sense of Place”
What a difference one letter can make. Agoraphobia is a paralyzing anxiety that causes one to fear & avoid crowds and open spaces. Change the ‘b’ to an ‘n’, however, and you have Agoraphonia, a neologism coined by Italian sound artists Francesco Giannico and Giulio Aldinucci for their latest project which is built around field recordings of public places from around the world and the resulting album about to be released is anything but anxiety inducing.
A town square is an open public space commonly found in the heart of a traditional town and used for community gatherings. Based on this basic perspective, it is easy to notice how the soundscape of this living center could represent not only sonically, but also from a cultural point of view, a priceless document. After an open call lasted 6 months to send most interesting audio material concerning the theme of the “square” the samples have been selected and reworked in order to create an ideal symphony of all living squares all over the world.
Continue reading “A Sense of Place: Agoraphonia – Francesco Giannico & Giulio Aldinucci [Dronarivm]”
Last autumn Flaming Pines released the first installment in their new Tiny Portraits series, “small renderings of place in memory and sound” by ambient & experimental artists from around the world that took us to a volcanic island in Japan, a street corner in Hanoi, a square in Athens, and a quiet park in Tehran (read the ST review here). Each one is a kind of sonic interrogation by the artist in response to the questions that drive the project.
“Sound and place are two terms often thrown together, but what actually connects the two? Sure places sound differently, or may shape the sounds that enter them in particular ways but in what ways is sound actually able to capture and convey place? Is place something to be captured at all?” – Flaming Pines
How far and wide the series will go remains to be seen, but it is a welcome sign that an excellent new quartet of works is now available from artists representing Hungary (Peter Turner), Latvia (Sound Meccano + Jura Laiva), Russia (Foresteppe), and Ukraine (Gamardah Fungus). Continue reading “A Sense of Place: More ‘Tiny Portraits’ on Flaming Pines”
“Seven transmissions from the Pacific Northwest” is how Vancouver-based artist Amir Abbey introduces Distant Works II, the latest album under the pseudonym Secret Pyramid. Whereas the first volume in the series was based on unused material from the album that became The Silent March (2011), this collection of dronescapes and sketches appear to freshly unearthed and molded by Abbey from field recordings, strings, piano, tape, synthesizers, and the highly distinctive sounds of the ondes martenot.
Continue reading “Sound Impression: Secret Pyramid – Distant Works II [Proposition]”
Stijn Hüwels is a sound and recording artist based in Belgium whose work with processed guitar, loops, and field recordings reflects his “profound fascination with minimalism”. Most recently featured here on the blog in his role as the new custodian of the Slaapwel Records label, he is releasing new solo work of his own through Japanese label mAtter in the form of Six Pieces For Guitar with the option of a companion 2-track EP.
Continue reading “Sound Impression: Stijn Hüwels – Six Pieces For Guitar [mAtter]”