Sound Impression: Little Steps by Good Weather For An Airstrike [Sun Sea Sky]

It has been a little over two years since we heard from Good Weather For An Airstrike, the project British musician Tom Honey conceived nearly nine years ago to help alleviate suffering caused by tinnitus. Little Steps is a fine addition to his catalog as it finds the sweet spot between the ambient, post-rock, and electronic elements which are all integrated into a seamless organic flow with a deft and delicate touch. 

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Sound Impression: Quiet Ecology by Panoptique Electrical [Sound in Silence]

Jason Sweeney is known for a wide variety of projects and many musical aliases over the past two decades. Perhaps the most personal and intimate is the classically oriented Panoptique Electrical which saw a new release this month, the first since last year’s Disappearing Music for Face. A great deal of what you need to know about the know record is encapsulated in its title – Quiet Ecology.

In 2016 Sweeney undertook a quiet odyssey across four Australian cities (Adelaide, Perth, Sydney and Melbourne), searching out and mapping quiet spaces in and amongst these built environments. He wanted to discover as many zones of quiet or retreat in these cities and make compositions in response to these locations. He created maps and listening walks that took him from space to space. His desire was to ask a simple question: Can you find a way to release yourself, if only temporarily, from the noise of the world? ‘Quiet Ecology’ is a sonic memorial to these spaces and a musical act of quiet preservation. – Sound in Silence 

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Premiere: New Beginnings by Alina K

It was the piano that first captured composer Alina K’s imagination as a child in Lithuania. Having moved to London with the intention of further developing her piano
playing skills and performed at the opening ceremonies of the prestigious Vancouver Fashion Week, she recently took the bold decision to leave a steady work in the world of luxury retail to focus full-time on her music. This has led to her first collection of music to be formally released, an EP due in early February of 2018. Produced by Nick Tauber, who has worked on bestselling albums for Thin Lizzy, Def Leppard, and Marillion, Awakening will feature selections from fourteen original compositions that she recently recorded at the famous Abbey Road Studios. The first track from the album, the aptly titled “New Beginnings”, premieres today and allows listeners to experience the uplifting beauty and direct emotional appeal of her elegant compositional style.

“I want to create music that transcends boundaries. My compositions come from my heart and I am so happy to see them bringing joy and positivity to the audience.” – Alina K

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Hammock – Columbus (Original Motion Picture Soundtrack) / Mysterium

Few artists in the world of instrumental music have a compass as locked on to true north as Hammock. For years, this Nashville-based project of Marc Byrd and Andrew Thompson has  served up a rich sonic feast spanning the genres of ambient, post-rock, and modern classical while resonating with heartfelt, and often heart-wrenching, emotion. Perhaps what they are capable of was summed up best and most succinctly in a comment to one of their recent videos where the listener said “Hammock has this way of telling you, ‘Everything will be okay.’, in the most beautiful way possible”. And in 2017 we have a double helping of new work from the band, an original motion picture soundtrack and a full-length studio album.

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Sound Impression: cascade symmetry by r beny

Following last year’s impressive full blossom of the evening, California-based r beny returns with another beautifully crafted opus fashioned from modular and hardware synthesizers entitled cascade symmetry.  The album, which was recorded in San Jose but features additional field recordings captured in South Korea is a work the artist refers to as  the “culmination of an intense and transformative year-long period” and “an ode to new beginnings and the disintegration of the past”. While that may be true creatively speaking, the listener will experience this album as a soothing immersion in a world of sumptuous textures; a warm and inviting quiescence of time as lush, shrouded, and remotely melancholic as Austin Cairn’s imagery of the Oregon coast on the cover suggests.

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Martyn Heyne – Electric Intervals [7K!]


Don’t be fooled by Martyn Heyne’s youthful appearance. The Hamburg-born composer & producer brings a wealth of knowledge and experience to his debut full-length album. He took up piano and guitar at an early age teaching himself the instruments in non-traditional ways before going on to be classically trained at the Conservatory of Amsterdam. In addition to being a live performer with the acclaimed indie band Efterklang and opening shows for Nils Frahm and A Winged Victory for the Sullen as a solo artist, Heyne has worked with a diverse group of high-profile artists in his Lichte studio in Berlin including Peter Broderick , alt-J, and The National (for a nice sampling of these check out his ‘Monday is Ok’ mix here). He brings all of this compositional and recording experience as well as his fondness for the electric guitar to the table for the recently released Electric Intervals, an album which he approached with a very specific philosophy.

“The number of parameters that determine a recording appears to be infinite. The mood, instrument, tuning, settings, microphones, room, placement, temperature, time of day, etc. all contribute to sound. The magic, once captured, is impossible to recreate. This might seem a hindrance, but it’s really the whole point of recording for me and also the reason why I never use samples or virtual instruments…the better the instrument sounds, the more you want to convey that quality.’’ – Martyn Heyne

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PREMIERE: “Dusk Line Hills” by Elskavon

Dusk Line Hills Green JPGMinnesota based composer Chris Bartels is a man of many musical faces. Under the umbrella of his hybrid record label and production house Anthem Falls Music, he tends a variety of projects under different monikers along with work under his own name for film, TV, & advertising. The one that should be most familiar to fans of ambient music with a cinematic bent is Elskavon, which saw its debut in 2012 with the excellent Movements In Season followed by Release in 2013 and Reveal in 2014. Three years later, it is great to see Chris reactivating the project with previews of a fourth LP due in January. Each song on the new record is inspired by a particular memorable moment or era in his life and he has furnished us a prime example in “Dusk Line Hills” which I am pleased to premiere today. The backdrop for this track is an unforgettable moment that occurred in the Black Hills where Bartels was vacationing with his wife, one-year old son, and in-laws just as they were discussing how much they would like to get a glimpse of the elk that roam the area.

Literally as we take a right on the road to exit the route, there’s an elk, and then we see another one. We slow down and pull over to watch. It was getting close to dark. All of a sudden we hear some cries and look up the hill. There’s about somewhere between 60 to 80 elk. They started calling at or to each other, and then running up and down the hill for a minute – maybe there were two herds, I’m not sure. I just remember that moment so clearly – I remember all of us in the car just sort of gasping and then falling silent for a bit, watching, listening, taking it all in. Then in no time, they were gone. Disappeared over the dusk line hills”

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PREMIERE: “Repose” by Mike Lazarev [1631 Recordings]

A good friend and active supporter of instrumental music as the creative force behind the revered Headphone Commute (a huge influence on Stationary Travels, btw), Mike Lazarev has more recently revealed himself to us as a fine composer of solo piano music with a pair of mini-albums released on 1631 Recordings. Completed in New York before a move to London and intended to be listened to as the second half to last year’s Unhinged, the forthcoming follow-up entitled Dislodged offers ten exquisite pieces that explore “the outer reaches of spatial and reductionist pianism”.

If the two albums comprise a journey, it would seem (and we would hope) it is on a path to healing. Muted, wistful, and plaintive Dislodged may be, but the track titles hint at peace and recovery while sweet melodies and the occasional flourish of other instruments as well as a TV interlude add a sort of warmth to the proceedings. One might imagine the dark face of a building at night in the heart of the city where a single window glows with light and, as we peer inside and tune our ears to sounds coming from that direction, we get a glimpse of the composer having a dialog with his instrument. Intimate and personal perhaps, but expressed in a universal wordless language that anyone who has experienced detachment, isolation, or heartache will instantly understand.  Continue reading

PREMIERE: “Junges Liebespaar” by Unsichtbar [ACR]

Unsichtbar is a new project from Lima (Peru) shrouded in a mystery by design. The word, meaning ‘invisible’ in German, is an apt choice for the anonymous alter ego chosen by the artist for an intuitive creative process unencumbered by preconceptions or set guidelines and deliberately unmoored from a conscious sense of self.

If I give too many details, I go back to myself, and that’s something I am trying to avoid. Here, I experiment with completely different and new sounds with the only intention of experimenting. No hidden messages, no complicated concepts, nothing at all. Just textures and sensations. That’s what ‘Erlebnis’, my debut album, is about. A creative process that, if transposed into life, could be seen as youth and the experiences we go through while growing up and discovering ourselves. – Unsichtbar

The debut album Erlebnis (‘experience’) offers 8 mostly unstructured sonic experiments that skew heavily toward the crepuscular and opaque. Dense, even ominous at times, there is an emotional undercurrent throughout which occasionally breaks through in fragments of melody and tender moments of heightened perception. These characteristics are abundantly evident in “Junges Liebespaar” which you can listen to here in an exclusive premiere.  Continue reading

VIDEO PREMIERE: “Winter’s Heart” by Andrew James Johnson (feat. Chamber Ensemble of London)

Classical composer and pianist Andrew James Johnson will release his debut solo album Winter’s Heart in November 2017, a record he developed over a number of years, taking inspiration from travels from the Californian coast and Hawaii, to the Canary Islands and mainland Europe. Born in Birmingham to a family of six siblings, Andrew was brought up on the music of The Beatles, Elton John and David Bowie while at the same time he developed an unprompted love of classical music immersing himself in the works of Beethoven, Schumann and Chopin – a juxtaposition in styles that shaped the musical landscape of his childhood and is reflected in his passionate compositional style which Johnson embraces with genuine conviction as he seeks to forge a genuine connection with his audience.

‘Winter’s Heart’ is my debut classical album. It’s the summation of my creative output as a pianist/composer over the last few years. The ‘winter’ theme represents what I personally tap into when I’m alone with nature – stillness, clarity, openness and purity. The piano has such a wonderful sound world to explore. It’s sonorities are limitless and can reach into our emotional core with just a few notes! I hope that my music will touch listeners and allow them to experience their own beautiful isolation and to be lost in the ebb and flow of the unraveling musical textures, much like winter itself…”

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Duologue: A Conversation with Jane Antonia Cornish

My guest for this edition of duologues is award-winning composer Jane Antonia Cornish who grew up in England and is currently based in New York City. In addition to composing scores for the acclaimed documentaries, Scotty and the Secret History of Hollywood and Citizen Jane: Battle for the City as well as the drama Fireflies in the Garden, (starring Julia Roberts, Ryan Reynolds and Willem Dafoe), Cornish was the first female in history to win a British Academy Award (BAFTA) for music in 2005. In that same year the UK Film Council also honored her with a Breakthrough Brit in Hollywood award. Most recently she has released her third solo album Into Silence, an exquisite, intimate, and deeply affecting work that ICON Magazine called “A virtual blessing in a world gone mad”, a sentiment with which I would wholeheartedly agree.

Links:  Solo Albums | Order signed CDs  | Into Silence via Innova

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VIDEO PREMIERE: In the Hands of Strangers by Danny Mulhern

Reflections on a Dead Sea is the debut full-length album by British composer, producer, and multi-instrumentalist Danny Mulhern which presents an augmented, evolved and extended version of his purposefully muted original score for short film The Dead Sea, directed by Stuart Gatt. Set in Libya and backed by the humanitarian organization Medicins Sans Frontieres (aka Doctors Without Borders), the film tells the harrowing story of Emmanuel and Olu, a husband & wife who become incarcerated in a migrant detention center following a failed attempt to flee to Europe. The album was recorded in collaboration with the London Contemporary Orchestra and cellist Oliver Coates in a format that fuses composed and improvised elements together as Mulhern explains:

“We discovered the sound that fitted the film best was extremely soft articulations, played so they were barely audible. It opened up a fascinating sound world that I felt could go beyond the film…For the album sessions I had some pre-recorded piano improvisations, with instructions for each player to play over them within certain parameters (such as articulations, choosing notes from certain chords and never staying longer than a bar on any given note.) We could then home in on interesting sounds that were suggested with each take – a sort of controlled randomness. This way of working was an epiphany; it was really exciting to essentially hear new music coming out of the control room speakers for the first time.”

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