Jane Antonia Cornish – Constellations [Innova Recordings]

JAC_Constellations_Innova

Jane Antonia Cornish is an award-winning composer who grew up in England and lives in New York City. In addition to being the first female ever to win a British Academy Award (BAFTA) for music and her growing list of film credits, she has a fine catalog of exquisite and deeply affecting albums which gains a new addition with the recent release of Constellations. As with last year’s Into Silence (2017, Innova), Cornish once again presents us with an overarching narrative of transcendent beauty woven from the purest of sonorities by an impeccable ensemble, but the cosmic theme gives her quiet new pathways to explore in the dimensions of space, time, and light.

Continue reading

Max Richter – The Blue Notebooks 15th Anniversary Reissue [Deutsche Grammophon]

002894835016_thebluenotebooks

Not all protest music is loud and angry. Sometimes it is simply an affirmation of the positive in the face of the negative, an advocacy of quietude and beauty in the face of rancor and violence, an embrace of reflection over confrontation. Such was the case with Max Richter in 2003 when he composed The Blue Notebooks against the backdrop of global protests against a war in Iraq. Though this conflict was very much on Richter’s mind at the time, the music he created was devoid of specific geopolitical references and aspired to a broader and more holistic view. Intertwined with the words of writers like Franz Kafka and Czesław Miłosz, what Richter came up with was an introspective meditation on violence and war that transcends any particular historical context.

“I wanted to invite the listener in, allowing them space to reflect, rather than be beaten into submission. The world is tough enough, and I don’t want to add to the brutality. Over the years, I’ve realized that there’s a balance to strike, and that actually, as our world spins into something quite threatening that’s increasingly based on loud and vicious rhetoric, I want to talk about quiet protest”  – Max Richter
Continue reading

Video Premiere: Murmuration by Erland Cooper & William Doyle

Solan Goose (Murmuration)_DIGITAL

Earlier this year award-winning multi-instrumentalist and producer Erland Cooper released Solan Goose, a magical journey to the Scottish archipelago of Orkney celebrating its landscapes, avian fauna, and local dialect (read the ST review here). Then, this summer he surprised us with an impromptu release of a spontaneous new ambient work based on the original material called Murmuration which he developed in collaboration with musician William Doyle (aka East India Youth). If Solan Goose was the vision, then Murmuration is the dream. One is a vivid and transportive sonic portrait that sweeps the listener up into its exhilarating narrative, the other a haunting, chimerical reverie in which to get completely and pleasurably lost.

“Sound is important to me. Over the years the word ‘murmuration’ has been associated solely with a flock of starlings, but it actually refers to the sonics of a flock of birds. So when Bill Oddie and others say: ‘Let’s go and see this murmuration’, that’s not quite right – you hear it. The theme of this record fits with a particular group of sea birds that, unlike many other birds, spend the first 5-10 years of their lives travelling far and wide out to sea in solitude, before settling down to find a partner and lay a single egg. It’s a recycling or ‘upcycling’ of sounds, themes and layers into a new collaborative work.”Erland Cooper

Continue reading

Album Stream: Melding by Marika Takeuchi [bigo & twigetti]

a1812524988_10

Composer and pianist Marika Takeuchi has been involved with music her entire life. She began studies in classical music at the tender age of three in her native Japan and, at age 18, went on to study composition at Shobi Music College in Tokyo and do early career work for Japanese national radio and Universal Music Japan. In 2009, she moved to the United States to study film scoring at Berklee College of Music and saw the release of here first solo album ‘Night Dream’ before graduating in 2012. Since then, she has continued to work on a wide variety of projects as a composer, pianist, orchestrator, and arranger while continuing to release solo recordings such as ‘Impressions’ (2013), ‘Rain Stories’ (2014), and ‘Colors in the Diary’ (2016) which was produced by Windham Hill founder & Grammy-winning producer Will Ackerman and features cellist Eugene Friesen and Boston Symphony Orchestra violinist Si-Jing Huang. Continue reading

Duologue: A conversation with Danny Mulhern

Danny_Mulhern_2018

In this edition of Duologues, composer, multi-instrumentalist and producer Danny Mulhern  talks to us about his recent releases Metanoia and Safe House (both available via 1631 Recordings), his exceptional collaborative partnership with London Contemporary Orchestra, discovering & supporting new music, and exciting projects in the works including his score for the new Elizabeth Chomko film “What They Had which premiered at the 2018 Sundance Film Festival. He even gives us a little insight into some new ideas attracting his creative attention which we truly hope he finds the time & opportunity to pursue. It is a captivating read and a gateway to some outstanding listening for modern classical fans. Included among the words are sample tracks and Danny’s own outstanding “Safe House Mixtape”, an hour-long selection of pieces that inspired and compliment his recent music.

Continue reading

Premiere: I Will, For You (Sophie Hutchings Rework) From Diary Reworks by Michael Price

a2385026300_10

Last year, Emmy-award winning composer & pianist Michael Price gave us some precious insight into his creative process with Diary, a set of purely improvisational single-take recordings he compiled over a six week period (you can read more about the project here). While Price has since been at work on TV & film scores as well as his highly anticipated new Tender Symmetry project, a stellar cadre of eight artists have revisited the 30-track collection and hand-picked some of its “raw” entries to be polished into pure moder classical diamonds for a new EP called Diary Reworks.

The songs on Diary were certainly lovely enough and warmly accessible on their own terms, but, by their very design, they were unrefined and unedited. In the context of Diary Reworks, we can think of it as a sketchbook left behind by the artist for others to embellish and bring to life as full color, multi-dimensional works of art.  Case in point is the lovely treatment of “I Will, For You” by Sophie Hutchings , premiered here for the first time.

Continue reading

Sound Impression: Piano Works by Lucy Claire

LC_Piano_Works_Cover

This past March, London-based composer & producer Lucy Claire began her wonderful new ‘Works’ series, a string of EP releases each featuring a different focus. The second installment has just arrived in the form of Piano Works, a beguiling collection of bittersweet compositions and sketches performed on a range of pianos from grands and uprights to electric keyboards and toy & thumb types. Ever the consummate collaborator, this edition features Lucy alongside guest performances by cellist Ren Ford (Keaton Henson’s Romantic Works), violinist Marie Schreer (The Royal Northern Sinfonia), and ambient guitarist Pete Lambrou (VLMV).

Continue reading

Jeff Mercel – Lunescapes Volume One

Mercel_Lunescapes_v1_Cover

If you don’t know Jeff Mercel by name, there is a pretty good chance you have heard at least some of his music. A composer, producer, and multi-instrumentalist, Mercel was a contributing member of the pioneering American indie rock band Mercury Rev from their critically acclaimed album Deserter’s Songs in 1998 until leaving the band in 2010 to focus on composition for television and film. His work has appeared on major TV shows like CSI and This American Life and commercials for mega companies like Pepsi, BMW, & Google and he continues to work as a session musician, band member (Miracle Whips, Ultraam), as well as being national music director for O+ (a national non-profit, based in Kingston, NY that works to provide musicians & visual artists with access to health care).

The music for his first full-length solo recording under his own name, however, is a much more intimate affair and was recorded in his home “mostly in the kitchen, on a sometimes unruly upright piano”. Lunescapes Volume One is a shimmering collection of instrumental “vignettes, intimate landscapes, and lo-fi fantasies” rendered with the sure hands of a skilled composer and journeyman musician with a keen melodic ear.

Continue reading

Album Premiere: Orbit by Snorri Hallgrímsson [Moderna Records]

Hallmgrimsson_Orbit_cover

Snorri Hallgrímsson is a composer, producer and multi-instrumentalist from Reykjavík, Iceland. Originally starting out as a classical guitarist, he fell in love with film music during his teen years and, having secured a degrees in composition from both the Iceland Academy of the Arts and Berklee College of Music, his name is associated with a growing list scores for cinema and television. Now he has a full-length solo album to call his own and it is very much imbued with not only the atmospheric elements of filmic music but also an elusive and haunting mystique captured by only a handful of Icelandic composers such as Ólafur Arnalds with whom Hallgrímsson has worked on such projects as Island Songs, The Chopin Project, and the BAFTA-winning score for Broadchurch. Certainly one can hear echoes of these works on the sumptuous offering that is Orbit, but we are also introduced to Hallgrímsson’s own voice not only as a composer and arranger, but quite literally thanks to his bold decision to add vocals to many of the songs. The result is an album of arresting, hypnotic beauty and extraordinary emotional depth.

“Recorded primarily at Ólafur Arnalds’s studio in Reykjavík, the songs on Orbit explore the difficulties of living in and moving between vastly different places: from Mexico’s sunny days to Iceland’s long winter nights and their emotional toll. Orbit is also about people met along the way, of friends and family whose absence is bittersweet. The concept of ‘home’ is replaced by an ‘orbit’ the composer circles from place to place.” – Moderna Records

Continue reading

Video Premiere: What We Should Protect by Hoshiko Yamane

Hoshiko_Yamane_Threads_cover

The music of violinist and composer Hoshiko Yamane embraces a wide and vibrant spectrum. Not only has she has been involved in a diverse array of collaborative, dance, and film projects, but as a member of Tangerine Dream you can find her lighting up stages across Europe this spring and summer as part of the band’s kinetic, kaleidoscopic shows. There is a much more introspective side to her music, however, which she displays on her latest solo album soon to be released by 1631 Recordings. Threads is a luminous collection of pieces leaning toward a minimal ambient aesthetic woven from loops & layers of acoustic violin into tapestries of sound both tender and transcendent.

Continue reading

Sound Impression: Adam (OST) by Aaron Martin

Aaron_Martin_Adam_OST

There is a fascinating paradox in Aaron Martin‘s music I’ve come to appreciate. On one hand, there are the rustic tones and earthy folk melodies that ring with the homespun authenticity of a sprout from pure Americana rootstock. On the other, it is possessed of an exotic and transcendent quality that is malleable to a disparate range of contexts. Ample evidence of this would be Martin’s collaborations with experimental musicians from around the globe such as Machinefabriek (Netherlands), Orla Wren (England), Christoph Berg (Germany), or his From the Mouth of the Sun partner Dag Rosenqvist (Sweden). More recently we’ve seen it in his original soundtrack work such as Menashe set in an orthodox Jewish community in New York City and the newly released Adam, a short film directed by William Armstrong that tells the story of Adam Voigt, a vital young South African surfer faced with a life-altering diagnosis.

Continue reading

Kaada – Closing Statements [Mirakel]

Basic CMYK

Norwegian multi-instrumentalist, composer, & producer John Erik Kaada knows a thing or two about making sounds that people want to hear. Over the course of his musical career he’s made quiet a lot of them across a diverse spectrum of genres and formats – solo albums, collaborations, soundtracks, and live shows. He has just released another album and while he no doubt wants people to hear to it, what he really hopes is that it will drive home the message of how important it is for people to listen, really listen, to one another. The title of each song on Closing Statements is either a quote or fragment from things that people, both famous and infamous, uttered when they were about to die. A somber theme to be sure, but Kaada gives it a life-affirming twist. While so much music about death look inwards towards feelings of grief, loss, or nostalgia, he discards such well-worn tropes to reveal a surprisingly poignant lesson for the living.

“I don’t think I’ll have more important things to say when I’m on my deathbed than I have generally in life. This applies to most people, I guess. Final words aren’t any wiser or cleverer than anything you’d normally say. But it’s the fact that you’re not going to say anything else ever again that makes this moment so special. You have the audience’s full attention…The underlying message of the album is that we have to listen to each other. In a modern world where people mostly don’t have the time or interests to get to know one another, we need to be reminded that we need to listen.”John Erik Kaada

Continue reading