Dauw is a Belgian boutique label based in Ghent that specializes in handmade cassette releases of electroacoustic ambient music of an especially organic & pastoral nature and features a unifying visual aesthetic based on the graphic artwork of Femke Strijbol. The label offers sounds and colors eminently suited to the gentle awakenings of springtime and it is our good fortune that they have put up some irresistible new releases for the season.
Still basking in the afterglow of Piano Day 2018, this edition of Field Notes puts the spotlight on a superb quartet of new & upcoming piano-themed releases by Goldmund (Western Vinyl), Stefano Guzzetti (Home Normal), Muriël Bostdorp (Whales Records), and a cadre of artists associated with Moderna Records. Continue reading
On Piano Day 2018 the sounds of musicians will be heard around the globe celebrating a love for one of the most beloved and expressive instruments in the world. Among them will be names that might be new to many listeners such as Barry Kernachan who is releasing his new album to coincide with that special day. Not that he is new to music. Far from it. Barry has been playing since he was a child and writing for a number of years. But Layers is an album where he strips everything back and focuses on the core instrument. It is bright, melodic, and engaging record that piano music lovers will find easy to fall into. In this interview provided by Preserved Sound, Barry talks about the album, his musical journey and his improvisational process. Continue reading
“Metaphors have a way of holding the most truth in the least space…This work was born in the silence between other major projects. The work explores the subtle beauty of the piano in an attempt to capture something warm and real and alive.” – Euan Alexander Millar-McMeeken aka Glacis
These days truth is hard to find and even harder to hear amidst the din and chaos of a world that seems to be spinning ever faster towards madness. For many of us that makes albums like Metaphors quite precious. Just a man and his piano speaking truth in the euphonic language of wordless song. And what lovely songs they are – simple, profound, memorably melodic, and bound to the space in which they were created by the creak and hum of the piano which was preserved in the recordings. Continue reading
What is a memory? It is not such a silly question. Just stop and think about it for a moment. Try to put it into words. What IS a memory? How do they accrue such significance to our sense of self? Musician Tim Linghaus wrestles with this in a beautiful and touching way on his latest album called Memory Sketches. Tim’s experiences with making music began when he discovered his father’s Yamaha drum machine and guitars when he was a young boy in the GDR. During his university years he played guitar in a couple of bands ranging from metal to singer/songwriter, but of late his music is mainly based on piano, synthesizers and noise. If you have had the joy of listening to his debut Vhoir, then you know it is of an exceptionally thoughtful and delicate nature and the new album continues very much in the same vein but with a very particular purpose as Tim explains.
“What is a memory? Is it a residue of our past conjured into being by pictures in our minds? Is it our former self communicating with our present one or the other way around? Is it a recurring emotion or smell we notice in a déjà vu or a daydream? Is it an individual sum of those aspects? What I know is that memories help me to define who I am. They establish connection between me and everything that is not present or future – sometimes sharp and palpable, more often soft and frail. Unfortunately, some memories fade away irrevocably. Hence, I am quite afraid of losing them.” – Tim Linghaus
I first encountered the music of London-based composer Lucy Claire when the Stationary Travels blog was only about a month old, an affecting piece entitled “Paelistin” savored over a cup of coffee on a quiet Saturday morning. Soon after that came the stunning two-part Suite (reviewed here) and a pair of beautifully realized collaboration & remix EPs featuring guest artists such as Marie Schreer, Alev Lenz and Tom Adams. After a relatively quiet 2017, it is wonderful to hear that Lucy is planning a series of releases throughout the year and she could hardly hope to get off to a better start than the first installment, a ravishing quartet of compositions entitled String Works which is now available.
This musical weekend matinée features a collection of four beautiful modern classical compositions by Tambour, Roberto Cacciapaglia, Erland Cooper, and Fabrizio Paterlini set to video. For just a little while, leave your cares behind and enjoy the transportive magic of these musical stories.
Releases may not be flying out at quite the prolific rate they were during the first 18 months or so following the launch of 1631 Recordings, but the Swedish imprint remains a steady and reliable source of wonderful new modern & post-classical music. Most recently, the label has offered up the debut album of Glaswegian multi-instrumentalist composer and producer Richard Luke, a collection on which he collaborated on with Scottish Chamber Orchestra first violinist Amira Bedrush McDonald entitled Voz.
Emmanuel Witzthum is an Israeli musician, violist, composer, multidisciplinary artist, and lecturer who has been involved in projects, festivals, and orchestras all around the globe including including New York, Jerusalem, Paris, Berlin, and Madrid. Some readers here may recall his work with collaborator Craig Tattersall (aka The Humble Bee) as E& I on their sublime Eilean Records release The Colour of Sound (2016) an album described on this site as “a complete suspension of time and the invocation of a blissful, halcyon torpor conducive to a state of deep reflection” and “a truly gorgeous album of quietly epic proportions”. Two years later Witzthum returns to the enigmatic label with a new solo work entitled Songs of Love and Loss which brings his viola and voice work into a sharper and more impassioned focus as he offers up a quartet of ardent compositions each represented by a haiku and associated with a different season.
Eyes shut, leaves
Lift in winds across
Soft rain falls
At night, still
Cloud sighs, clear blue sky,
Breeze turns warm
Eyes look to sunset
As February draws to a close in this part of the world, we can’t help but start to anticipate the thawing of winter and the colors of spring and Belgian boutique label Dauw is a fine place to look for music that will suit the change in seasons. The label’s docket for March includes a collection of reworked material drawn from #2 by Illuminine (aka Kevin Imbrechts), a lovely study in melancholia which the artist released last year. As was the case with 2015’s #1 Reworks an international roster of artists has been compiled to reinterpret or “reconstellate” the songs into new experiences across a diverse range of styles from delicate ambient and solo piano to minimal electronica and techno.
Like an early hint of spring, we’ve been gifted a glimpse into one of the new mixes, a sprightly polyrhythmic reworking of the previously wistful “Dualisms #2” by Berlin based multi-instrumentalist, composer & producer Studnitzky. The song is released along with a striking video entirely shot in Iceland by Melina Rathjen, a place that has a special meaning for both artists who spent time there working on their music.
Aukai is a Hawaiian word for seafaring traveler or sailor, a suitable metaphor for the musical project of the same name from Markus Sieber conceived after a move from Europe to Mexico and born from his desire to create music that could work in tandem with film, video, theater and the visual arts. The distinctive sound that permeates the music of Aukai owes much to the love affair Sieber has cultivated with the ronroco, a stringed instrument of Andean origins recently popularized by film composer Gustavo Santaolalla. The magic happens as the instrument’s brightly arpeggiated strings are deftly woven into expansive compositions fleshed out by an ensemble that includes cellist Anne Müller (Agnes Obel Band, Nils Frahm), violinist Bogdan Djukic, pianist Angelika Baumbach, keyboardist Alexander Nickmann, and longtime collaborator Jamshied Sharifi (Laurie Anderson, Sting, Dream Theater) .
It is a formula that received a warm & enthusiastic reception for Aukai’s self-titled 2016 debut and works a treat again on the forthcoming follow-up album Branches of Sun which began as a series of recordings made by Sieber during a retreat to a small cabin near the Old Spanish Trail in Colorado last winter far away from a world of human and technological distractions. Perhaps the mood is a bit more austere and contemplative this time as the pristine, remote atmosphere of the high-mountain country looms in the background, but the luminosity and nomadic spirit in the music remains irrepressible and life-affirming. For a taste of the new record, have a listen to the gorgeous interplay of cascading piano runs with the sun-soaked ronroco set off by warm swells and textures of cello that characterize “Fragmentary Blue” offered here in an exclusive premiere.
When we got a chance to speak with Poppy Ackroyd this past summer, she was about to release Sketches, an album of solo piano reworks of material from her first two studio albums as well as pieces from an upcoming new work. Now that album has arrived, erasing any possible vestiges of doubt that she is one of the most innovative and exciting artists on the experimental classical scene and a truly distinctive artistic voice.
Resolve finds Poppy building and expanding upon her dynamic and percussive approach to playing the piano in ways both conventional and unconventional. It also find her collaborating in the studio for the first time with other musicians including Manu Delago (Bjork, Cinematic Orchestra, Anoushka Shankar) on hang, Mike Lesirge (Bonobo, Andreya Triana) on clarinets and flute, and Jo Quail on cello. It is a vibrant and mesmerizing record with a positive impetus behind it.
“Resolve is about the determination to embrace the good things in life whilst dealing with unexpected and challenging difficulties. Finding the light in the dark, facing sadness and loss head on, and developing a growing inner strength.” – Poppy Ackroyd