It was the piano that first captured composer Alina K’s imagination as a child in Lithuania. Having moved to London with the intention of further developing her piano
playing skills and performed at the opening ceremonies of the prestigious Vancouver Fashion Week, she recently took the bold decision to leave a steady work in the world of luxury retail to focus full-time on her music. This has led to her first collection of music to be formally released, an EP due in early February of 2018. Produced by Nick Tauber, who has worked on bestselling albums for Thin Lizzy, Def Leppard, and Marillion, Awakening will feature selections from fourteen original compositions that she recently recorded at the famous Abbey Road Studios. The first track from the album, the aptly titled “New Beginnings”, premieres today and allows listeners to experience the uplifting beauty and direct emotional appeal of her elegant compositional style.
“I want to create music that transcends boundaries. My compositions come from my heart and I am so happy to see them bringing joy and positivity to the audience.” – Alina K
vaghy (Tamás Vághy) is a Hungarian composer and pianist who is making an appearance as a newcomer on the modern classical scene, but is no musical neophyte. Surrounded by his father’s old tapes and vinyl, his love of music came at an early age. Having developed into a multi-instrumentalist with a taste for a wide variety of genres, he performed in thousands of concerts from clubs to large festivals including serving a the keyboardist for the well-known Hungarian rock band Anna and the Barbies. During these years, in the quiet environs of his bedroom studio, he indulged a passion for classical music. After seeing a Nils Frahm video several years ago, Tamás was inspired to bring this more personal work into the public sphere, performing live sets in 2016 and again in 2017 in support of Frahm’s own worldwide Piano Day event.
A good friend and active supporter of instrumental music as the creative force behind the revered Headphone Commute (a huge influence on Stationary Travels, btw), Mike Lazarev has more recently revealed himself to us as a fine composer of solo piano music with a pair of mini-albums released on 1631 Recordings. Completed in New York before a move to London and intended to be listened to as the second half to last year’s Unhinged, the forthcoming follow-up entitled Dislodged offers ten exquisite pieces that explore “the outer reaches of spatial and reductionist pianism”.
If the two albums comprise a journey, it would seem (and we would hope) it is on a path to healing. Muted, wistful, and plaintive Dislodged may be, but the track titles hint at peace and recovery while sweet melodies and the occasional flourish of other instruments as well as a TV interlude add a sort of warmth to the proceedings. One might imagine the dark face of a building at night in the heart of the city where a single window glows with light and, as we peer inside and tune our ears to sounds coming from that direction, we get a glimpse of the composer having a dialog with his instrument. Intimate and personal perhaps, but expressed in a universal wordless language that anyone who has experienced detachment, isolation, or heartache will instantly understand. Continue reading
No matter how many solo piano pieces I listen to, I never cease to be amazed how musicians can channel so much of their own individual character through the same single instrument and weave so many intangible qualities into the notes and hammer strokes. As I listened to the music on Tristan Eckerson‘s new album Disarm, I found myself laboring to articulate what those intangibles were – that is until I read his bio.
The composer is currently based in the lovely mountain town of Asheville, North Carolina but was born in Cincinnati, Ohio and has lived, traveled, & studied in places as far-flung as Charleston, South Carolina, San Sebastian, Spain, San Francisco, California, & Seattle, Washington and has performed in multiple groups on both U.S. Coasts recording with members of the Ray Charles Orchestra, writing string arrangements for the Magik*Magik Orchestra, and performing at numerous music halls & festivals. And then it suddenly seemed obvious what I was hearing woven in and around the notes was a kind of restlessness, a sense of wanderlust and hunger for new experience.
Earlier this summer, French pianist, composer, and multi-instrumentalist Dominique Charpentier released an EP consisted of five songs each of which was developed in less than two hours. He chose this format as an experiment in form and a personal challenge. While compressing the creative process into a fixed time always risks an uncertain outcome, in this case it produced an enchanting quintet of piano-based pieces with a touch of melancholy and a touch of musette so as to weave a spell of melancholic and nostalgic romance in the space of twelve minutes.
Inspired by the music, the folks at Piano & Coffee have created a video to accompany songs using a montage of grainy, sepia-toned footage shot around a bustling 1970’s Paris turning “Esquisse IV” into a plaintive scrapbook of shared memory. Continue reading
If you visit the Soundcloud page of Lebanese sound producer and visual artist Maiya Hershey, you’ll find a veritable menagerie of beautiful experiments in ambient & electronic music and other sonic ephemera constructed from piano, loops, and voice. There is arguably enough material there to have allowed her to cobble together a complete album, but her full-length debut demonstrates she was willing to be patient enough to develop something truly substantial and cohesive. Tides is presented as a fictional story whose protagonist is an unseen creature born from deep waters that “inherited all of human consciousness and memory” and it possesses all the strange, otherworldly beauty such a concept portends.
With her 2012 debut ‘Escapement’, Brighton-based composer Poppy Ackroyd entered the same rare air as such esteemed innovators of modern classical and electronic music as Nils Frahm and Hauschka. Classically trained on violin and piano, she creates utterly mesmerizing music by manipulating and multi-tracking sounds primarily from these two instruments in sometimes unconventional ways, an approach she expanded upon with her second album ‘Feathers’ in 2015. This year she brings us a flurry of new projects to enjoy starting with her new mini-album ‘Sketches’ in which Poppy reinterprets pieces from her first two records as pure solo piano pieces along with several new compositions. She also has a brand new full-length album in the works for release in November and all this in the midst of performing as part of Hidden Orchestra, who themselves have a wonderful new record out called ‘Dawn Chorus’. I am ecstatic that Poppy was willing take time from her busy schedule to answer a few questions for Stationary Travels readers and thus kick-off the very first in our new series of artist interviews called Duologues.
Chicago-based pianist & composer Lena Natalia is a storyteller who speaks through a piano rather than a pen, able to create scenes, moments, and characters only through the moods and melodies of her compositions. Her experiences living in Paris served as the backdrop for her first two albums while last year’s Second Youth explored personal and nostalgic territory closer to home. Her fourth collection of songs entitled Almost Home finds her broadening her sonic palette to include more varied piano textures, tasteful use of string & choral like synths, and even a bit of percussion. Listen here to an exclusive premiere of “Chess Players”, an especially elegant and cerebral piece with an evocative hint of Slavic flavor.
In a recent interview with the folks at Piano & Coffee, pianist and composer Garreth Broke spoke about growing up on a diary farm in West Wales where he forged a strong connection to the landscape and developed an acute awareness of how much changes are wrought over it with each season. That experience served as a large part of the inspiration for a quartet of EPs he would create with his artist partner Anna Salzmann, each of which would mark the beginning of a new season. The series comes to a conclusion next week with the release of June which features three compositions by Broke and vivid new imagery by Salzmann that is aflame with bright, warm colors. Continue reading
“It is spring again. The earth is like a child that knows poems by heart.” ― Rainer Maria Rilke
A brief survey of an exquisite quartet of modern classical albums for the Spring season by Christoph Berg & Henning Schmiedt on Flau, Tambour on Moderna Records, Julian Marchal on the newly launched Whales Records, and Moinho on 1631 Recordings.
The three young people in golden deer masks roaming a deserted urban landscape bathed in the incandescent yellow glow of street lamps furnishes a moody, surreal backdrop for the mellifluous piano lines woven by Florence native Luis Berra on “Sleepwalking Deers”, the opening track to his new album Piano Creatures now out on 1631 Recordings. It is a sweetly melodic piece tempered with a bluish tint that lends a touch of melancholy, a quality which the video, developed by the creative community of Piano & Coffee, taps into.
In the brand new video for his solo piece “The Crossing”, Danny Mulhern puts us inside his piano and in the mind’s eye of the solitary passenger lost in a monochrome reverie, a rider on a train gliding past the city lights and into the station haunted by the wistful melody so delicately rendered, a melancholy lullaby for the weary traveler and a oneiric reflection. The track opens his forthcoming EP Metanoia and segues into the ensemble piece “Flying the Nest” which was premiered here last month. Stationary Travels is very pleased to offer this additional glimpse into one of the most beautiful modern classical releases you are likely to hear this year.