It has been a little over two years since we heard from Good Weather For An Airstrike, the project British musician Tom Honey conceived nearly nine years ago to help alleviate suffering caused by tinnitus. Little Steps is a fine addition to his catalog as it finds the sweet spot between the ambient, post-rock, and electronic elements which are all integrated into a seamless organic flow with a deft and delicate touch.
It was the piano that first captured composer Alina K’s imagination as a child in Lithuania. Having moved to London with the intention of further developing her piano
playing skills and performed at the opening ceremonies of the prestigious Vancouver Fashion Week, she recently took the bold decision to leave a steady work in the world of luxury retail to focus full-time on her music. This has led to her first collection of music to be formally released, an EP due in early February of 2018. Produced by Nick Tauber, who has worked on bestselling albums for Thin Lizzy, Def Leppard, and Marillion, Awakening will feature selections from fourteen original compositions that she recently recorded at the famous Abbey Road Studios. The first track from the album, the aptly titled “New Beginnings”, premieres today and allows listeners to experience the uplifting beauty and direct emotional appeal of her elegant compositional style.
“I want to create music that transcends boundaries. My compositions come from my heart and I am so happy to see them bringing joy and positivity to the audience.” – Alina K
Classical composer and pianist Andrew James Johnson will release his debut solo album Winter’s Heart in November 2017, a record he developed over a number of years, taking inspiration from travels from the Californian coast and Hawaii, to the Canary Islands and mainland Europe. Born in Birmingham to a family of six siblings, Andrew was brought up on the music of The Beatles, Elton John and David Bowie while at the same time he developed an unprompted love of classical music immersing himself in the works of Beethoven, Schumann and Chopin – a juxtaposition in styles that shaped the musical landscape of his childhood and is reflected in his passionate compositional style which Johnson embraces with genuine conviction as he seeks to forge a genuine connection with his audience.
‘Winter’s Heart’ is my debut classical album. It’s the summation of my creative output as a pianist/composer over the last few years. The ‘winter’ theme represents what I personally tap into when I’m alone with nature – stillness, clarity, openness and purity. The piano has such a wonderful sound world to explore. It’s sonorities are limitless and can reach into our emotional core with just a few notes! I hope that my music will touch listeners and allow them to experience their own beautiful isolation and to be lost in the ebb and flow of the unraveling musical textures, much like winter itself…”
It has been a little while – too long in fact – since we have visited the shores of the Eilean, an imaginary territory the map of which is now dotted & colored by 60 albums covering a broad and eclectic spectrum of ambient, electroacoustic, and modern classical music. The label saw five outstanding releases over the summer months by Bill Seaman, Toàn, Josco & Spheruleus, Francesco Giannico & Giulio Aldinucci, and Monty Adkins and has begun the transition to autumn with an exceptional debut record by Cicely Irvine. Here is a brief synopsis of each along with selected tracks for the reader to explore as well as links to the artists whose work is featured on the covers where available. (Note: most of these limited editions sold out soon after their release, but some may be available in small quantities; check the linked Bandcamp pages for details).
The first thing that strikes you on This Body Is Not Me by Slow Heart Music (aka Ben Rath) are the mellifluous tones that resonate with a sun-soaked, pastoral warmth from the wooden body of an impeccably tuned guitar. The tunes are brand new yet instantly take on the aura of the timeless and familiar. This subtle sorcery becomes even more impressive when you learn that Rath improvised these pieces, many in a single take, using a second-hand instrument picked up on the cheap.
“Slow Heart Music was conceived as a way to create music in a more spontaneous and live way, with minimal electronic interference and using a basic, lo-fi set-up. The tracks on ‘This Body Is Not Me’ were recorded on a small classical guitar Ben purchased for £5 from a bring-and-buy sale in the basement of a cafe. Ben would improvise on this guitar in a relatively free and unstructured way until a theme or melody organically developed. He’d then press record on a digital audio recorder and create a spontaneous composition out of that theme.” – Whitelabrecs
Oddly enough, I don’t remember which painting it was, but I will never forget the way it felt to stand for the first time in front of an original Van Gogh at the Virginia Museum of Fine Arts. In some ways it was a disorienting experience. I recall becoming light-headed as if the colors & textures on canvas were alive and in perpetual motion. This phenomenon proved to be no fluke as I found in subsequent opportunities to view his work in person again years later at the VMFA’s Art of the Flower exhibition and again during a first visit to the Art Institute of Chicago.
I am sure I am far from being alone in being so viscerally affected by the vibrancy of Van Gogh’s work. In fact, there is now a stunning new film that goes so far as to literally bring many of the his paintings to life even as it purports to tell the story of the events leading to his tragic early death. Written & directed by Dorota Kobiela and Hugh Welchman, their animated film Loving Vincent was meticulously hand-painted by a team of 115 artists.
“Loving Vincent is the upcoming biographical animated film from newcomer directors Dorota Kobiela and Hugh Welchman about Vincent van Gogh’s final days and the attempt by an acquaintance of his son (played by Douglas Booth) to unravel the mysterious circumstances surrounding his death. A film unlike any other, it is entirely hand painted – each of the movie’s 65,000 frames is an oil painting on a canvas created using the same techniques as Vincent van Gogh.”
Ambient music, when masterfully constructed and emotionally invested, has the power to cross inner oceans, map out the topographies of the soul, and expose the deep strata of memory. This introspective listening journey consists of a quartet of releases that do just that. Featuring the intricately woven and emotive soundscapes of Tapes and Topographies (Todd Gautreau), Bird Traps (Marcus Skinner), Wil Bolton, and James Murray.
Since its founding in 2009, Home Normal has consistently been one of the shining lights on the landscape of experimental ambient & electronic music. Conscientiously curated and uncompromisingly supportive of its artists, it is more than a label; it is a hub for a community of artists and mindful listeners who appreciate thoughtfully crafted, emotionally honest music.
“Based in Japan, the label was run as a way to connect to a sense of what ‘home’ and ‘normal’ could mean to someone who was in what was essentially an alien environment to them. The focus of the label was to release the ambient and electronic works of friends within the live scene we were part of in Tokyo and the surrounding areas, but soon expanded to include the work of many artists worldwide…We see the label as a family of friends who work together to create unique works that have a hold and impact on whoever can take their time to absorb our music and aesthetic”
Featured here are recent & upcoming releases by Ian Hawgood + Wil Bolton, Giulio Fagiolini, and Jason Van Wyk,
With her 2012 debut ‘Escapement’, Brighton-based composer Poppy Ackroyd entered the same rare air as such esteemed innovators of modern classical and electronic music as Nils Frahm and Hauschka. Classically trained on violin and piano, she creates utterly mesmerizing music by manipulating and multi-tracking sounds primarily from these two instruments in sometimes unconventional ways, an approach she expanded upon with her second album ‘Feathers’ in 2015. This year she brings us a flurry of new projects to enjoy starting with her new mini-album ‘Sketches’ in which Poppy reinterprets pieces from her first two records as pure solo piano pieces along with several new compositions. She also has a brand new full-length album in the works for release in November and all this in the midst of performing as part of Hidden Orchestra, who themselves have a wonderful new record out called ‘Dawn Chorus’. I am ecstatic that Poppy was willing take time from her busy schedule to answer a few questions for Stationary Travels readers and thus kick-off the very first in our new series of artist interviews called Duologues.
The field of film & theater composers releasing debut albums of original compositions is ever-growing. For lovers of indie, modern, & post-classical music it is a healthy trend that means we are increasingly spoiled for choice, but it also raises the bar for the kinds of creativity and inventiveness needed to keep the genre fresh and compelling. That is where artists like James Maloney come in.
Originally from Birmingham, having studied music at Oxford, and now the Music Associate at Shakespeare’s Globe Theatre, Maloney has just released his debut solo record entitled Gaslight on Moderna Records. Conceived of largely at night as a reaction to the noise and the pace of city life and built around a closely mic’d old piano accompanied by trumpet, vibraphone, & glockenspiel, it sparkles with that elusive lustre of pure inspiration and effortless enchantment.
Archives is a label based in Valencia, Spain run by DJ, producer, & musician Agustín Mena (aka Warmth, SVLBRD). You won’t find a lot of words written by the label about itself. Its impressum can be found in the music which focuses uncompromisingly on pure ambient, downtempo & dub techno aesthetics with a preference for soothing, warm tones and meditative atmospheres. Presented here are six recent releases by an international roster of artists including Logic Moon (Germany), Robert Farrugia (Malta), Yoyu (Canada), Purl (Sweden), Shuta Yasukochi (Japan), and Halftribe (UK). Also highly recommended are their Ambient and Soundscapes compilation series and Warmth’s own ‘Essay’ which was one of the best reviewed ambient albums of 2016.
“It is spring again. The earth is like a child that knows poems by heart.” ― Rainer Maria Rilke
A brief survey of an exquisite quartet of modern classical albums for the Spring season by Christoph Berg & Henning Schmiedt on Flau, Tambour on Moderna Records, Julian Marchal on the newly launched Whales Records, and Moinho on 1631 Recordings.