After a little winter hibernation, things are beginning to spring to life over at 1631 Recordings, one of my favorite contemporary classical labels since its inception. In addition to three releases announced in conjunction with Piano Day 2019, the label will be bringing us a collection of brand new reworks of material from Jakob Lindhagen‘s ‘Paces‘ which was originally released in late 2017 (read the ST review here). While Lindhagen successfully etched the quintessence of long Scandinavian nights into each of the album’s austere, delicate compositions, these carefully curated reworks reveal how just how adaptable they are to new ideas and constructions. Continue reading “Premiere: Jakob Lindhagen – In The Machinery (Aisling Brouwer Rework)”
Ian Hawgood‘s name is absolutely inseparable from the contemporary ambient & experimental music scene. His Home Normal label, which just marked its tenth anniversary, is one of the first and still one of the best of its kind. He is also a tireless and kind supporter of other musicians in this space and has had a hand in mastering many of their albums across a wide array of labels. His own solo albums, however, have been few & precious so it comes as great news to see one arrive this spring only a year after last year’s 光 for Eilean Rec. Hawgood himself draws a connection between the two, saying that they are “partners in construction”, the result of patient late-night cultivation over nearly a five-year period spent living in Warsaw and Tokyo before ultimately selling off his entire collection of synths and reels, some of which went to the British Library. One might argue he saved his best for last as Impermanence is a sublime document of sonic ephemerality and extraordinary filigree in terms of both texture and emotion.
“After many years of in-demand mastering, label curation and collaborative focus Hawgood now offers us a definitive portrait of the technical expertise and personal integrity demanded by exemplary modern tape-based practice…In studios between Tokyo and Warsaw walls of reel-to-reel tape recorders, analogue synthesizers, processed textures and degraded cassette recordings were all carefully coaxed into braiding together their hiss, wow, flutter and warmth into this beautifully flowing nine-chapter arc of delicately unpredictable sound.” – James Murray (Slowcraft Records)
Continue reading “Premiere: “Whispers” from Impermanence by Ian Hawgood”
This travelogue introduces some wonderful recent & upcoming modern classical releases showcased through a collection of new videos. Featuring Hania, Rani, Flying Hórses (Jade Bergeron), Nico Casal, Erland Cooper, Peter Sandberg, and Aukai.
Continue reading “Travelogue 2019.02.23: Saturday Matinee”
Richard J. Birkin divides his time between making music as a recording artist, composing for TV & film, and being the lead creative technologist for Time Travel Opps where his artistic and technical acumen come together to produce digital projects for the arts as well as consultation in the commercial sector. The common thread in all these aspects of his work is a focus on creating emotionally compelling interactive experiences that people can connect to in a meaningful way. This makes him perhaps the ideal person to have collaborated with author Jon McGregor in the promotion of his award-winning novel Reservoir 13, which examines life in a village in England’s Peak District in the days, months, & years following the mysterious disappearance of a teenage girl.
McGregor was looking for a way to promote the book on tour that would be more engaging than the de rigueur format of simply reading passages and answering questions for an audience. Enter Birkin, who keyed off the novel’s atmospheric nature and repetitive themes to create a soundtrack that would help bring it uniquely to life in live, interactive, and recorded performances. The music was based on a local Derbyshire folk song called “Tip O’Derwent” which, serendipitously echoing the novel itself, is also about someone who goes missing in the wilds in that part of the country.
Continue reading “Through a musical lens: Reservoir 13 (Music for the Novel by Jon McGregor) by Richard J. Birkin”
Currently based in Britain’s idyllic Ribble Valley, Muldue is a solo project that musician Max Ramsden first established while living in the medieval market town of Stratford-upon-Avon. His new EP entitled A Place Both Foreign and Familiar shortly to be released on Seattle’s Hush Hush label finds Ramsden building on the alchemical style he first introduced on ‘Due Melodies of a Concrete Soul‘ (2015) and ‘A Cruel Light From Below‘ (2016) while evolving toward a more organic sound steeped in pastoral slowcore beauty and gauzy atmospherics.
Continue reading “PREMIERE: “Pour” from A Place Both Foreign and Familiar by Muldue [Hush Hush Records]”
The third and final installment in Lucy Claire‘s “Works” series is a beautifully conceived EP that takes her music out of the confines of living room and studio to integrate with a variety of soundscapes. In a rather fresh take on the concept, she has taken an especially interactive approach which, when combined with her keen sense of narrative and use of binaural recording techniques, creates a series of vivid, immersive and pleasantly disorienting scenes. The magic is in the layering and juxtaposing of the many field recordings used in each piece and then contriving musical reactions to each setting.
“a Lisbon tram journey
a walk through an old ship building yard named Bucklers Hard
a car journey across the Pennines in a hail storm
a walk along a towpath in Dorset
a hike to a castle in Schwarzwald, Germany
a walk in the New Forest…”
Continue reading “Lucy Claire | Scape Works [1631 Recordings]”
For the better part of a decade, self-taught multi-instrumentalist & producer Anthony Baden Saggers has been releasing music as Stray Ghost both independently and on such respected boutique labels as Hidden Shoal, Time Released Sound, and 1631 Recordings. In a couple of weeks, he will be able to add Phases Records to that list as the London-based imprint is shortly to release his latest opus entitled A Shade Under Thirty. The title is an overt nod to the kind of milestone the album represents for the artist as he surveys his own past, present, and future while reaching out to forge a meaningful connection to his audience.
“The maturity he has recently talked of reaching at the age of thirty, leaving behind the young man he once was, is mirrored in A Shade Under Thirty by his vision of the world at a pivotal moment, his piano picking a path forwards through European disintegration, climate change and life in the digital age. As he says himself, ‘I don’t just want people to listen… I want them to feel.'”
Continue reading “PREMIERE “Eliza (Variation 5)” from A Shade Under Thirty by Stray Ghost [Phases Records]”
After two full-length albums and a trio of EPs under the moniker of Row Boat, musician/composer Mark Wardale is about to release his first work under his own name. There is an amusing bit of self-deprecating cheek when he cites irreconcilable differences with himself in reference to the change, but when it comes to creating imaginative, ear-catching music that spans multiple genres, Wardale is as serious as ever.
To listen to ‘Close‘ is to enter a world where neoclassical, ambient, and post-rock elements are intertwined, infused with Scandinavian character, and ornamented with eclectic sonic flourishes. While the same could be said of the music of Row Boat, the new record marks a noticeable shift toward modern classical elements and cinematic flair as the ambient & post-rock atmospherics are employed much more sparingly. In addition, Wardale demonstrates his growing compositional prowess by weaving a cohesive tale in which the narrative of each track supports a greater one that flows through the entire album.
Continue reading “PREMIERE: “Þægindi” from Close by Mark Wardale [Bottle Imp]”
It would seem Anne Lovett literally has music in her blood. Though currently residing in London, she was born in Normandy, France, a birthplace she shares with Erik Satie. Her family is a musical one, her father being a luthier and her mother a dancer. Anne herself picked up piano at only three years old and developed an interest in composition early on. She went on to study at the Conservatoire Supérieur de Paris as well as the Royal Academy of Music and later at King’s College, London. Since graduating, she has performed at prestigious venues and festivals throughout Europe and been heard on classical broadcast radio. If you have listened to her debut solo album Beyond (and Below), you already know she is both an electrifying pianist and an imaginative composer. On her partially crowd-funded second album entitled The Eleventh Hour, however, she balances her virtuosity & passion with poignant introspection to create a stunning new opus in collaboration with members of the London Contemporary Orchestra.
“The main narrative of the album was conceived during a period when intense shifts were taking place within our society which had a deep impact on the composer. The result is a deeply felt work that mourns the loss of a spiritual home as well as reflecting a dazed comprehension of the world having been permanently tilted on its axis. Best described through the Japanese concept of Kintsugi or “broken beauty”, ‘The Eleventh Hour’ is a heartbreakingly beautiful contribution to the modern classical genre. The thirteen tracks are all meticulously crafted and ring out with a dark luminosity, like an elegy to our troubled times”. – 1631 Recordings
Continue reading “PREMIERE: At the Same Time from The Eleventh Hour by Anne Lovett [1631 Recordings]”