Sound In Silence is a small DIY record label based in Athens, Greece that has been releasing limited editions presented in collectible handmade packaging since 2006. Featured here are four of their most recent releases by moshimoss & stabilo, anthéne, bvdub, and (ghost). I also recommend browsing through the rest of their Bandcamp catalog where you’ll find gems by artists such as Wil Bolton, Caught in the Wake Forever, Good Weather for an Airstrike, and North Atlantic Drift.
La Equidistancia (‘the equidistance’) is an extraordinarily apt title for the first-fruits of a newly formed creative partnership between Leandro Fresco and Rafael Anton Irisarri just released by A Strangely Isolated Place. It can be seen as a nod to the meeting of creative minds over long geographical distances (Fresco in Argentina and Irisarri in New York) but the album also intersects some musical and symbolic midpoints as it consummately strikes a balance between careful sound design and raw emotion, between melodic sensibility and textural aesthetics, and between melancholic reflection and purifying catharsis. In the sublime center of all of these things we find these six beautifully constructed, soul-searching instrumentals that are capable of forging a powerful human connection.
I really love that grainy aspect you can hear in the music, degraded in a way, like it’s been trough some rough patches (as both Lean and I have been through over the years)…There’s a lot of sadness and memories in the music. I feel that one most embrace this sadness and share it; make others know we are not so different; not alone in this world”. – Rafael Anton Irisarri
One of the most recognizable 21st Century proponents of prepared piano music, Volker Bertelmann aka Hauschka, returns with his first full-length studio album since 2014’s Abandoned City. It is not as if he has not been otherwise occupied during the intervening time. Quite the opposite in fact. He has been touring, curating festivals, collaborating on special performances, and composing soundtracks such as the Oscar-nominated score for “Lion” with Dustin O’Halloran, not to mention releasing a live album, a collection of remixes, and an EP. So, perhaps it is remarkable that he ever found the time to create What If which is now on the cusp of its official release.
“I definitely decided with What If to make a record that might be my most radical. The lyrical piano has disappeared, and the sounds I’m fascinated by – like noise and electronic elements – have taken over”
On his most fully realized album to date, composer/producer Paddy Mulcahy offers up eight beautiful experiments in juxtaposing solo piano minimalism with vibrant synthesizer constructions. While some of his previous releases demonstrated Mulcahy quite capable of inventively sketching and improvising in a compressed time frame, the music on The Words She Said was cultivated over a two-year period
The album was started in the Summer of 2015 during a recording trip around Germany and London. Paddy then continued to work on the album while finishing his BSc degree in Music Production at Limerick Institute Of Technology. The album was inspired by the similarities and contrasts between pianos and synthesizers, and this relationship was conveyed through the use of various recording and mixing techniques.
Last year, classically-trained composer, musician, and sound designer Madeleine Cocolas released her debut album entitled Cascadia, but it was no nascent work. Rather it was a stunning distillation of sounds and ideas drawn from a project where she created new music weekly over the course of a year. Prior to that she composed a new live score for Alfred Hitchcock’s classic film The Birds and worked on a variety of multidisciplinary projects with numerous choreographers, musicians, and visual artists as well as being a music supervisor for a number of award-winning Australian television programs. That is a lot of creative momentum and it continues unabated with her exciting new EP Lunar about to be released by Seattle-based Self Center Records.
Floating Away From the World is the third album in as many years by OKADA on the n5MD label and his fifth overall (the first two being issued by Fluttery Records). It is the first, however, that Gregory Pappas developed for this project since relocating from Mobile, Alabama to Seattle, Washington with a corresponding shift in style that seems to match the cool, wet climate of his new home. As on previous albums, Pappas offers up a quartet of fluid & emotive long form works that fuse ambient textures & modern classical elements with downtempo beats and ethereal vocals, but the mood on the new album is distinctly overcast and deeply introspective while the rainy textures will be pure bliss for even the most casual pluviophile.
In the space of ten months, Dennis Huddleston has released three albums from his experimental ambient project 36 (pronounced three-six). Far from making music to simply zone or chill out to, Huddleston often weaves rich thematic and imaginative material into his sonic tapestries for an especially emotive and cerebral listening experience. Considered together, this trio of albums cover a vast perspective spanning past, present, and future.
French composer & sound designer Ocoeur (Franck Zaragoza) enlisted the services of Christoph Berg, The Green Kingdom, and Julien Marchal to create this intended prologue to his 2016 full-length album Reversed, his fifth release on Oakland, California-based label n5MD. Reversed – Remixes is an entrancing quartet of reworked pieces, one of Zaragoza’s own creation and the remainder from his hand-picked team of collaborators.
Since this blog began only a few odd years ago, we’ve seen the emergence of some wonderful new labels which are now fixtures on these pages – Eilean Rec., Moderna Records, and 1631 Recordings to name a few. But there is plenty of room for new voices and new ideas as evidenced by the recent arrival of Subtempo Records on the scene. The label founded last year by Rocco Tyndale will be focused on “left-field leaning, classical and electronic” music coupled with a strong focus on visual art and an emphasis on creating “long lasting pieces of art” and their first physical release is a delightful EP by Alejandro Bento, a self-taught pianist from Spain who also records electronic music as Axel Toben. Ripples is a triptych of solo piano pieces accompanied by a remix contributed by award-winning producer/composer Robot Koch. The heartfelt sentiments that come across in the music are just as Bento intended.
“These songs speak of origins and horizons. But most of all, they speak of love, friendship and care, of presence and joy. They speak of following the heartbeat and believing in one’s self and in others.” – Alejandro Bento
The EP is often overlooked when it comes year-end retrospectives, but this format can provide us with some very special musical moments and here is a selection of the most memorable of such I enjoyed in 2016 presented in alphabetical order. It simply would not have been the same year in music without each of these outstanding recordings (for me at least). Continue reading
The year in review begins with a new type of list for 2016, but one I very much hope to maintain going forward. Each of these albums is conceptually, thematically or musically connected to a particular place – personal narratives, journeys remembered, or depictions of landscape real or imagined. Each one takes the listener on a journey and immerses them in a unique place or moment in time. One might say they represent the very essence of stationary traveling, which makes them quite to special to this listener in particular…
Calmly transportive. Blissfully adrift. Hazy and translucent. A listening journey with four exceptional albums from around the globe that delve into the idyllic side of ambient and electronic music created by The Green Kingdom (USA), Chihei Hatakeyama (Japan), Warmth (Spain), and James Murray (UK).